Surveying the history of art, technology and information systems the books reveals the dark clouds that gather over discussions of the digital sublime.
A cinematic journey through love, death and language.
75 minutes.
Contributes to the ongoing critical discussions of performance and its disappearance, of the ephemeral and its reproduction, of archives and mediatised recordings of liveness.
Offers a glimpse of new perspectives on how philosophy performs in the gaps between thinking and acting.
An exploration of walking and mapping as both form and content in art projects using old and new technologies, shoe leather and GPS.
Around 500 participants – usual radio listeners, no dancers or actors – were invited to enter the Leipzig train station, equipped with cheap, portable radios and earphones. By means of these devices they could listen to a radio program consisting of a choreography suggesting permitted and forbidden gestures (to beg, to sit or lie down on the floor etc.).
This book focuses on this award-winning artist’s relationship to Europe and the Mediterranean and explores how one relates to a particular place. Published to accompany exhibitions at the Whitechapel Gallery (Sept 2015 – Jan 2016) and IMMA (Oct-Dec 2016).Part of the Study Room Guide on Live Art and Displacement (P3107).
Publication accompanying the eponymous exhibition at the Transition Gallery, 16 June-15 July 2007; with texts by a number of writers including Iain Sinclair, Charlie Porter and Ruth Jarvis.
Catalogue of the show Lines of Division at The Rubin Center.
Sophie Calle’s project Double Game interweaves the artist’s life with that of Maria, a character in Paul Auster’s novel ‘Leviathan’, blurring the lines between reality and fiction. Second edition