Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.
A typeface narrative revolving around an I, a pair of ravenous eyes, a mouth, and a peptic ulcer called O.
It is to the future that we look for redemption and progress; but it is also where we project our personal and apocalyptic anxieties. By questioning notions of certainty, truth, and totality, Augé finds ways to separate the future from our eternal, terrified present and liberates the mind to allow it to conceptualize our possible futures afresh.
Examines the construct of memory, the passage of time, and the “end of history.”
Embraces the messiness and daily action of the maternal and strives to nurture an understanding of daily maternal practice.
Analyzes artistic performances, social performances, archival remains, and memoirs of the underground theater scene in 1960s New York.
Explores sites where the ideal of community relentlessly recurs, from debates over art and culture in the popular media, to the discourses and practices of nonprofit and nongovernmental organizations, to contemporary narratives of economic transformation or “globalization.”
The publication explores art created in public spaces in Brazil, since 2000. In Portuguese and English. Published under the Creative Commons licence.
Cruising Utopia considers the work of seminal artists and writers such as Andy Warhol, LeRoi Jones, Frank O’Hara, Ray Johnson, Fred Herko, Samuel Delany, and Elizabeth Bishop, alongside contemporary performance and visual artists like Dynasty Handbag, My Barbarian, Luke Dowd, Tony Just, and Kevin McCarty in order to decipher the anticipatory illumination of art and its uncanny ability to open windows to the future.
The third issue of the French-American magazine of creation and reflexion is devoted to performance art.
Special issue on time. The essays and artist pages assembled here are re-articulations of work presented at PSI 19: Performance and Temporality (25-30 June 2013).