Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.
Proposes that performance is not a genre of art separate from object making but rather an attitude that has infiltrated the entire terrain of contemporary art.
Festival catalogue, 14-16 October 1999, Timisoara. In Romanian and English.
Papers from the conference, held in Glasgow in December 1990. The conference addressed the implications for the arts of the political and economic changes in Eastern Europe.
From the Dance and Politics edition. In Slovenian and English.
Part of the Library of Performing Rights (LPR) (P3041).
Covering 21 countries and more than 250 artists, this text demonstrates the manner in which performance art in the region developed concurrently with the genre in the West, highlighting the unique contributions of Eastern European artists.
Part of the Study Room Guide on Live Art and Displacement (P3107).
An in-depth research on the theme of borders and motherhood.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
Rare visual records of interventions, performance pieces and happenings from the period before 1989.
3h 14min
See also: Czech Action Art – Happenings, Actions, Events, Land Art, Body Art and Performance Art Behind the Iron Curtain (P2959).
Part of the Library of Performing Rights (LPR) (P3041).
Happenings, Actions, Events, Land Art, Body Art and Performance Art Behind the Iron Curtain
Action Art, similar to performance art but not requiring an audience, emerged out of the political and social turmoil of the 1960s. Until now this movement has received little critical attention, as the Iron Curtain prevented its dissemination to an international audience.
Part of the Library of Performing Rights (LPR) (P3041).
A book of case studies of performance art in Eastern Europe.
12 different authors to share their thoughts about the »performativity«.
The first historical and theoretical overview of socially engaged participatory art, known in the US as ‘social practice’. Follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic.
Professional writers, artists and cultural critics from around the world offer their views on the issue of the artist’s responsibility to society. Contributors: Page duBois, Ewa Kuryluk, Kathy Acker, Elizam Escobar, Martha Rosler, Eva Hauser,Coco Fusco, Carol Becker, Felipe Ehrenberg, Njabulo S. Ndebele, Michael Eric Dyson, Salman Rushdie / Ahmad Sadri, Henry A. Giroux, Guillermo Gomez-Pena and B. Ruby Rich
Documentation of the 9th International Multimedia Art Festival.
Notes for use: when watching on DVD screens, navigate the on-screen menu to view performances, photographs, press, and sponsor logos, using DVD controller.
Work in Progress. Arolfini, Bristol. November 2010.
Katherina Radeva: Showreel of Past Performance Work 2006-2010. Broken into several VOB files and needs to be played on a laptop with a proper VLC player.
Art magazine devoted to current visual culture in the Czech Republic. English version.
Art magazine devoted to current visual culture in the Czech Republic. English version.
Catalogue accompanying the homonymous exhibition at the Margaret Harvey Gallery.
English and Croatian
A Bulgarian truck-ride through European cities.
Includes essays on eighty artists from fourteen countries and discuss the tradition of an art form that emerged during socialism in cultural centers such as Prague, Belgrade, Ljubljana, Warsaw, and Zagreb. In English and Slovenian. Published for the exhibition at the Museum of Modern Art in Ljubljana.
Part of the Library of Performing Rights (LPR) (P3041).
Book about the erasure of tens of thousands of people from the register of permanent residents, which took place after Slovenia gained independence.
Part of the Library of Performing Rights (LPR) (P3041).