A programme of events exploring blood in performance for BLOOD: Life Uncut, a season of work for the new Science Gallery, London. Includes:
Janez Janša: Ron’s Story (5 minutes, 2001)
Ernst Fischer and Nicola Hunter: Passion/Flower (2012, 4 minutes)
Regina Jose Galindo: Who Can Erase the Traces (2003, 2 minutes), La
Sangre del Cerdo (2016, 8 minutes)
Franko B: I Miss You! (2003, 2 minutes)
Marisa Carnesky: Dr Carnesky’s Incredible Bleeding Woman (2016, 3 minutes)
jamie lewis hadley: this rose made of leather (2012, 10 minutes)
Kira O’Reilly: Wet Cup (2000, 3 minutes)
Martin O’Brien: If It Were The Apocalypse I’d Eat You To Stay Alive (2015, 8 minutes)
La Ribot: Another Bloody Mary (2000, 10 minutes)
Rocio Boliver: Times Go By and I Can’t Forget You: Between Menopause and Old Age (2013, 4 minutes)
A chronological review of a decade of endeavours by one of the most astute Slovenian projects of contemporary performing arts. The publication with extensive visual material and excerpts from texts documents 29 performances accompanied by Dr Blaž Lukan’s essay Erasing the Audience which analyses the company’s performing strategies.
A selection of texts on the festival, its topics and atmosphere.
Interview with Jacques Rancière.
A project based on a hypotethical (hypothetical and ethical) situation (political, social, military, security, natural catastrophy …) in which the citizens of highly developed countries (mainly from the West) would be forced to leave their country and look for a temporary home in another country.
Part of the Library of Performing Rights (LPR) (P3041).
A virtual platform on which shares of companies dealing with problems are floated.
Part of the Library of Performing Rights (LPR) (P3041).
Slovenian collective's second album.
Part of the Library of Performing Rights (LPR) (P3041).
Kapelica Gallery calendar.
Shelved in Oversize publications section.
Includes the programme for City of Women festival (2-13/10/2013) and Red Dawns (12-26/10/2013).
In Slovene and English.
Video recordings of two performances presented as part an extensive programme curated by Lois Keidan and Aaron Wright (Live Art Development Agency) entitled “Just Like A Woman”, composed of lectures, performances, readings, installations, screenings, workshops and debates on performance of identity, is fully dedicated to the impact of performance on feminist histories and the contribution of artists to discourses around contemporary gender politics. From the 19th edition of the City of Women (Mesto žensk) festival – 2-13 October 2013, Ljubljana, Slovenia – entitled “Let’s create a place for ourselves” on public space and politics.
A collection of the festival catalogues from 1996 to 2006 in Slovenian and English.
Featuring Bean & Benjamin Sebastian of ]performance space[, Mara Vujic, Keith Khan & Lois Keidan (chair). Part of the Trashing Performance programme – the second year of Performance Matters – 25-29th October 2011.
Documentation from the 17th International Festival of Contemporary Arts – City of Women.
A story about the artist trapped in the gap between a common comprehension of work and creativity. A performance about a performance that doesn’t exist.
Festivals took place in Ljubljana, 8-13 October 2001, and 2-10 October 2006. Text in both Slovenian and English. http://www.cityofwomen.org
On Emil Hrvatin’s theatre work.
This book is the printed extension of Janez Jan a’s installation Life [in Progress]. Complete with photo cards and carry bag.Life [in Progress] is composed of written, photo, and video instructions. The spectators are the actors; walking past the instructions they create the performance according to their own rhythm, sensibility, belief and (non-) activity.
Shelved in Oversize publications section.
A collection of essays by international scholars that addresses the global development of performance research in the late twentieth and early twenty-first centuries. The collection functions as a critical reader on diverse approaches to studying performance that contest dominant paradigms of performance studies.
Includes essays on eighty artists from fourteen countries and discuss the tradition of an art form that emerged during socialism in cultural centers such as Prague, Belgrade, Ljubljana, Warsaw, and Zagreb. In English and Slovenian. Published for the exhibition at the Museum of Modern Art in Ljubljana.
Part of the Library of Performing Rights (LPR) (P3041).
On Everybody for Berlusconi a democratic answer against weapons of mass seduction.
In Slovenian and English.
From the Unbearable Lightness of (Artistic) Freedom 2 edition. Part of the Library of Performing Rights (LPR) (P3041).
Part of the Performing Action, Performing Thinking edition.
In Slovenian and English.
Part of the Library of Performing Rights (LPR) (P3041).
Series of 3 calendars: It can only be attributable to human error, A Different Space For A Different Body and …under my skin.
Shelved in Oversize publications section.
A performance about power and manipulation in the form of a congress.
From the Subversive Affirmation edition. In Slovenian and English.
Part of the Library of Performing Rights (LPR) (P3041).