Explores how Marina Abramović has subtly incorporated the law to her economic and professional advantage.
Shows why cognitive injustice underlies all other dimensions; global social justice is not possible without global cognitive justice.
Based on the results of an anonymous survey sent to more than 8,000 galleries in the US, UK, and Germany, this is an insightful examination of the business of selling art.
A virtual platform on which shares of companies dealing with problems are floated.
Part of the Library of Performing Rights (LPR) (P3041).
An eyewitness account of the financial meltdown and ongoing grassroots rebellion.
Part of the Library of Performing Rights (LPR) (P3041).
What is seriousness exactly, and where does it reside? Is it a desirable value in contemporary culture? Or is it bound up with elite class and institutional cultures?
Book published alongside the eponymous exhibition (La BOX, Bourges); includes essays by the three authors, in English, Serbian and French.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Mezzadra and Neilson explore the atmospheric violence that surrounds borderlands and border struggles across various geographical scales, illustrating their theoretical arguments with illuminating case studies drawn from Europe, Asia, the Pacific, the Americas, and elsewhere.
What is the quality of participation in contemporary art and performance? Fair Play: Art, Performance and Neoliberalism explores this question through the work of important contemporary artists and organizations including Marcus Coates, Phil Collins, Jeremy Deller, Michael Landy, Grayson Perry, Rachel Whiteread, Lone Twin, Punchdrunk, Tate Modern and the National Theatre.
Written part of a doctoral dissertation, presenting the artistic works (performances, live-art projects and works on video ) and setting them in a larger context. The research presents the transformation that has taken place starting from the industrialism and modernism.