On queering censorship in the Aichi Triennale 2019.
Performance Research pg 84-91, On Diffraction, Volume 25, No 5, July/August 2020.
Catalogue of the 7th Art of Encounter, focuses on anagrammatic encounters. 4/10-26/10 2018.
In german and English.
Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.
On Tino Sehgal’s Ann Lee and the robotisation of the ageing body.
Follows one of the strangest commodity chains of our times to explore the unexpected corners of capitalism.
What is the relationship between capitalism and mental health? Berardi embarks on an exhilarating journey through philosophy, psychoanalysis and current events, searching for the social roots of the mental malaise of our age.
Brings together a variety of essays, photographs and archival materials and on the history of early performance art in East Asia. The publication will include texts by An invaluable new research tool, the publication is available free at events and online.
Part of the Library of Performing Rights (P3041).
Provides a historical overview of feminist strands among the modern revolutionary movements of Russia, China and the Third World.
Performance preview.
Traces the origins and development of the Japanese form of dance theatre.
My three terrifying, terrific and transformative years in Japan.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
Festival publication.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
Event publication.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
Publication accompanying the 11th Nippon International Performance Art Festival.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
Festival publication.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
Festival publication.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
Event publication.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
Festival publication.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
Publication accompanying the 13th Nippon International Performance Art Festival.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
Event publication.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
Festival publication.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
Festival / event publication.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
Publication for the 2007 3th China-Japan Performance Art Exchange Project in Beijing, Cheng Du and Xi'an, with photo documentation and artist profiles
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
Exhibition catalogue with images from performances by Lynn Lu.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
Publication for 'performance art!' Exhibition at Chinretsukan Gallery, The University Art Museum at Tokyo National University of Fine Arts and Music, including documentation, artist statements and comments from the audience.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
Brings together two distinct but related works: the first, Food for the Soul, is an interview with the artist about his father and his father's dances. The second, Workshop Words, is a collection of talks given by Ohno to his students.
Part of the Library of Performing Rights (LPR) (P3041).
Includes: Foreign Sky, Beast of Me, Still Hear the Wound
Catalogued with a spanned DVD.
A critical approach towards images of identity and femininity currently circulating in Japanese popular culture.
Part of the Know How: The Study Room Guide on Live Art Live Art and working with older individuals and communities. (P3140)
Selected images from the exhibition Translated Acts, curated by Yu Yeon Kim at the Haus der Kulturen der Welt and the Queens Museum of Art in 2001.
How are hybrid and diasporic identities performed in increasingly diverse societies? How can we begin to think differently about theatrical flow across cultures?
This book brings to light the historical significance of five women artists – Yoko Ono, Yayoi Kusama, Takako Saito, Mieko Shiomi, and Shigeko Kubota, who were among the first Japanese women to leave their country – and its male-dominated, conservative art world – to explore the artistic possibilities in New York.
Yamamura eschews the usual critical fascination with Kusama’s biography to consider the artist in her social and cultural milieu. By examining Kusama’s art alongside that of her peers, Yamamura offers a new perspective on her career.
This engaging autobiography tells the story of Kusama's life and extraordinary career in her own words, revealing her as a fascinating figure and maverick artist who channels her obsessive neuroses into an art that transcends cultural barriers.
The first ever monograph on the astounding 40-year career of this established, deeply daring and tirelessly experimental artist, who represented Japan at the Venice Biennale in 1993. It was published to coincide with an exhibition in 2000 at the Serpentine Gallery.
Shiro Masuyama and Sinéad O'Donnell drive from Tokyo to Fukushima tracking the level of radiation. The hot spots are in and around regular places; highways, playgrounds and some as far out as a UFO museum.
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Documentation from the 'MY EARTH STAGLINEC' International meeting of artists in memory of 'Antonio G. Lauer', showcasing performance art work from around Asia. Croatia, 2013. Curated by Sinead O'Donnell. Contributors: Sinead O' Donnell, Suzana Marjanic, Akiko Sato, Chumpon Apisuk, Chuyia Chia, Lee Wen, Makoto Maruyama, Miyako Narita, Vasan Sitthiket, Vichukorn Tangpaiboon, Tzu-chi-Yeh, Watan Wuma.
Catalogue of The 10th Nippon International Performance Art Festival. Japanese and English. Includes festival leaflet.
A collection of materials – posters, notes, drawings, programmes – mainly on two performances by the Japanese Artist – “Carrying a Baby Pig on my Back”; “Gaikotsu (Skull) Parade”. Miscellaneous printed material in large box.
Six international performance artists collaborate on a project exploring invisible disability through ‘living art' practice. CAUTION includes one DVD of video works and one CD of talking text.
DVD documenting an art project commemorating those who died in the Battle of Okinawa. Community participants wrote numbers from 1 to 236,095 on stones over the course of 4 very hot days in June. Also contains an accompanying book with colour photographs of the project. Languages: English and Japanese
Exhibition at DNA Galerie, Berlin (10 June-13 August 2011).
Artist documentation. Much of the publication is written in French, but images documenting the artists works are captioned in English and an interview is also translated into English. See D1663 for documentation.
Exhibition at the Tokyo Metropolitan Museum of Photography, 2010.
A touring project and performance, inviting local guest performers through workshops.
A collection of essays by international scholars that addresses the global development of performance research in the late twentieth and early twenty-first centuries. The collection functions as a critical reader on diverse approaches to studying performance that contest dominant paradigms of performance studies.