An anthology of Edward’s creative practice-led projects. Through the innovative practice of ‘mesearch’, in which the author is both theoriser and theorised, this study delivers a personal, creative narration, combining reflections and emotions in relation to self and performance.
Illuminates the relationship between philosophy and experimental choreographic practice today in the works of leading European choreographers.
Includes: Salavation poster and flyer, a production package, and a usb with video and photo documentation.
*currently unavailable*
A dark and ribald physical commentary on cultural mores, forays and sexual taboos. Aggiss places herself centre stage in this solo performance in a vociferously moving and disorientating display of contradictions and interpretations, on girls, ladies, women, mummys, mothers, bitches and dogs, pensioners and senior citizens.
The author reflects on choreographer Raimund Hoghe’s performance work as presented at the Sydney Festival 2012.
Features the dance productions, STRANGE FISH, ENTER ACHILLES and DEAD DREAMS OF MONOCHROME MEN.
This collection touches upon numerous ideological categories that appear in the encounters between East and West as a consequence of the hierarchical matrix of the western narrative.
BELLYFLOP magazine has developed as a collaborative artist-led undertaking based at Chisenhale Dance Space. It revolves primarily around the art of contemporary dance but also includes many other forms of performance. This issue contains images by Manuel Vason (pp. 32-35) and an article in Fresh AiR 2011 at Queen Mary, University of London (pp. 46-48).
Director Thierry De Mey films a studio performance of the dance.
A comprehensive introduction to Cohen’s work.