In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.
Playing cards, for a performance/card game in which players are dealt body parts instead of numbers in suit. Players will combine their own cards and reproduce the combinations with their own body. When a combination is impossible to be made alone the player may borrow a part of someone else’s body to be able to continue to play.
Explores attention structures that invite one-to-one encounters in digitally informed practice.
Documentation from the DIY 13 project, setting and testing ways of getting together to show unfinished work.
Documentation from the DIY 13 project.
Exploring the ritual / performance / intervention that marks the tattoo-receivers journey from birth in parallel with the rise in carbon emissions that cause climate change.
Part of the Library of Performing Rights (LPR) (P3041).
While considering repetition in relation to the difficult pleasures we derive from the theatre, this book explores ways of accounting for such experiences of theatre in memory and writing.
The aim of this book is to offer perspectives on performance art practice with a focus on teaching. This subject has rarely been approached in the literature and this book gives insights and inspiration for all those teaching performance art as well as to anyone else interested in this art form.
Whether he’s creating a dance composed solely of everyday actions, working with an ensemble of children, or running a “dancing museum,” Charmatz’s work experiments with the body as a vessel for subjectivity, history, and collective action.
Publicaition in honor of the 10th anniversary of FemLink-Art.
Part of the Library of Performing Rights (LPR) (P3041).