Whether he’s creating a dance composed solely of everyday actions, working with an ensemble of children, or running a “dancing museum,” Charmatz’s work experiments with the body as a vessel for subjectivity, history, and collective action.
|Publisher||The Museum of Modern Art|
On Filipina labour and amateur performance in Hong Kong.
Performance Research On Amateurs pg 81-87, Volume 25. No 1 January/ February 2020.
This is a book about falling as a means of reconfiguring our relationship with living and dying. Dancer, choreographer, educator and therapist Emilyn Claid draws inspiration from her personal and professional experiences to explore alternative approaches to being present in the world.
‘The book, that started four years ago as a possible form in which my ephemeral works could live on, gradually developed into an intensive writing project about movement and the imaginative power of language.’ Toine Horvers
Chump Change was produced by Aislinn Evans and features contributions by Stephen Pritchard, Raju Rage, Harry Josephine Giles, and Maz Murray (therightlube).
On dance and performance since 1989 follows the congress of Tanzquartier Wien to which we had invited participants from all over Europe to talk about new geographies and artistic workforms and workspaces in the fields of dance and performance, about the widely interweaved and cross-referencing, often indistinguishable and multiply coded cultural figures of production, reception and reflection.
Bringing together thirty authors variously invested in dance, performance and/or choreography; This Container is a zine for texts produced through and alongside dance, performance and choreography.
One of the first books to examine Somatics in detail and to analyse how and what it teaches in the dance studio, The Natural Body in Somatics Dance Training considers how dancers discover and assimilate new ways of moving and also larger cultural values associated with those movements.
Gómez-Peña Unplugged is an anthology of recent and rewritten classic writings from Guillermo Gómez-Peña, a figure who stands alone as unique and ground-breaking in the history of performance art and as the artistic director of transdisciplinary performance troupe La Pocha Nostra.
An anthology of critical essays that draw on a decade of the authors thinking, writing about and working within contemporary performance as critics, producers, dramaturgs, makers, archivists and more.
A Way Away uses the mode of correspondence course to explore ideas around distance – spatial and temporal, physical and social, imagined and real.
Issue No 6 of Substanz featuring text by Adela Picón and Maricruz Peñaloza.
This performance arts issue is published on the occasion of Acción|MAD17-XIV Encuentro de Arte de Acción Madrid, November 2017.
Text in Spanish and English.
Kindly Donated for the Swiss Live Art Study Room Guide.
“Writing the body with the body” consists of fragments taken from performance texts by Stefanie Knobel, which are juxtaposed with a series of pictures created for this volume
Kindly donated for the Swiss live Art Study Room Guide.