Charts a year at John Hansard Gallery in Southampton and the experience of communities forming in and around changing gallery spaces.
Shows how feminist theory is generated from everyday life and the ordinary experiences of being a feminist at home and at work.
When students at Oxford University called for a statue of Cecil Rhodes to be removed, following similar calls by students in Cape Town, the significance of these protests was felt across continents. This was not simply about tearing down an outward symbol of British imperialism – a monument glorifying a colonial conqueror – but about confronting the toxic inheritance of the past, and challenging the continued underrepresentation of people of colour at universities.
Part of the Library of Performing Rights (P3041).
The aim of this book is to offer perspectives on performance art practice with a focus on teaching. This subject has rarely been approached in the literature and this book gives insights and inspiration for all those teaching performance art as well as to anyone else interested in this art form.
Presents the preoccupations, activities and achievements emerging from the ongoing dialogue between two of the UK's leading art institutions, affordable studio provider Acme Studios and art college Central Saint Martins.
Recent years have seen a revival of the heated culture wars of the 1990s, but this time its battle ground is the internet. This publication explores some of the cultural genealogies and past parallels of these styles and subcultures, drawing from transgressive styles of 60s libertinism and conservative movements, to make the case for a rejection of the perpetual cultural turn.