Documentation from the collaboration between LADA, Sibylle Peters of Theatre of Research and Tate Families & Early Years. 26 to 29 October 2017.
Female artists; suggestions to Nick Serota, as Tate expands to a fourth London gallery.
Liquid damage on publication.
On Live Art landscape in 2005.
Examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism.
25 intriguing ideas for different ways to walk in and beyond an art gallery – for gallery-goers, walkers, performance artists, students and academics.
A programme of events exploring blood in performance for BLOOD: Life Uncut, a season of work for the new Science Gallery, London. Includes:
Janez Janša: Ron’s Story (5 minutes, 2001)
Ernst Fischer and Nicola Hunter: Passion/Flower (2012, 4 minutes)
Regina Jose Galindo: Who Can Erase the Traces (2003, 2 minutes), La
Sangre del Cerdo (2016, 8 minutes)
Franko B: I Miss You! (2003, 2 minutes)
Marisa Carnesky: Dr Carnesky’s Incredible Bleeding Woman (2016, 3 minutes)
jamie lewis hadley: this rose made of leather (2012, 10 minutes)
Kira O’Reilly: Wet Cup (2000, 3 minutes)
Martin O’Brien: If It Were The Apocalypse I’d Eat You To Stay Alive (2015, 8 minutes)
La Ribot: Another Bloody Mary (2000, 10 minutes)
Rocio Boliver: Times Go By and I Can’t Forget You: Between Menopause and Old Age (2013, 4 minutes)
Compiles the correct answers of six UK naturalisation exams.
Part of the Library of Performing Rights (LPR) (P3041).
Whether he’s creating a dance composed solely of everyday actions, working with an ensemble of children, or running a “dancing museum,” Charmatz’s work experiments with the body as a vessel for subjectivity, history, and collective action.
Now in paperback and with a new preface by Susan Bennett, the book explores an interdisciplinary range of topics, including: theatre and urban policy development; architecture, trauma, and memory; urban performance history; site-specific performance and urban politics; sexuality and nationality in urban performance; and environmental performance theory.
An artwork and body of research by Tanya Raabe.. An accompanying audio CD of interviews from the live sitting is also available in the Study Room. Ref: D1855
Performance for the opening of Pierre Huyghe ‘Celebration Park’.
4th July 2006.
Archive of the work by the art activist collective exploring the role of creative intervention in social change
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
A four-day programme of events and debates at the Tate Modern from 27-30 March 2003.
Residing somewhere between fiction and documentary, the film shows firefighters practising their skills on a tall purpose built house in a fire station.
Videos of two performances by Katherine Araniello: Terminal Services (2009) and Vital Statistics (2009)
Part of Access All Areas Screening Programme. Also available with subtitles as ED1427SUB. This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)
Responses to the Audience Survey carried out during Live Culture. 27 March 2003.
5 minutes of highlights from the event audience survey. 27-3- March 2003.
Promo of the programme of Live Art performances. 3:26 mins. 27 March 2003.
Documents Olafur Eliasson’s installation The Weather Project.
This item is part of the Study Room Guide On Social Engagement and Participation by FrenchMottershead (P1290)
Installation publication.
This item is part of the Study Room Guide On Social Engagement and Participation by FrenchMottershead (P1290)
A one-off event presented at Tate Modern of London amateur boxing clubs from Southwark
As part of Tate Moderns pre-opening programme in 1999, artist Mark Dion and a team of local volunteers combed the shore of the river at Bankside in front of Tate Modern, and at Millbank, opposite Tate Britain.
This item is part of the Study Room Guide to Remoteness (P2600).
The complete tapes can be viewed at Tate Modern. Full versions are also archived at www.somewhere.org.uk
Part of performance interventions series edited by Elaine Aston and Bryan Reynolds