Eight issues of the interview zine about performance.
15 writers explore the experimental, interdisciplinary and radically transgressive field of contemporary live art in South Africa.
Part of the Library of Performing Rights (P3041).
Discusses how citizenship is performed today, through the optic of the arts, in particular the performing arts, but also from the perspective of a wide range of academic disciplines such as urbanism and media studies, cultural education and postcolonial theory.
Part of Library of Performing Rights (P3041)
Features images from Yang’s personal archive and explores his self-portraiture across photography, performance and documentary.
Part of Library of Performing Rights (P3041)
An important addition to the current body of scholarly material on contemporary performance and theatre; it provides both a detailed focus on a number of important performance works as well as developing a framework for the interpretation of contemporary performance.
Part of the Library of Performing Rights (P3041).
Short programme of the project which saw 2DL invite other artists into a conversation on identity.
Documentation from the DIY 14 project, exploring how personal documents and performance can animate each other within a specific context of travelling and migration.
Playing cards made as part of Speaker's Corner.
Textbook from the performance / social experiment. The audience (a.k.a participants) underwent several stages of assessments to decide who remained in the experiment, and who was liberated from it. By the end, only one participant was crowned “LGB”. Presented during the Singapore International Festival of Arts 2016.
Examines the surge of queer performance produced across Ireland since the first stirrings of the Celtic Tiger in the mid-1990s, up to the passing of the Marriage Equality referendum in the Republic in 2015.
This publication sets out to make Mendieta's figure more public in order to secure her rightful place in the chronicle of contemporary art.
A performance document of a project that took place at West Everton Community Council in Liverpool, April 2011 (funded by Arts Council England). The piece was conceived as a ‘community exam’ where the audience members took the ‘Life in the UK’ test – an obligatory test for all immigrants applying for British citizenship and for Indefinite Leave to Remain.
Portfolio of images of the artistic work accompished by the duo over the last two decades.
A collection of key writings on choreography across the French, U.S and international dance scenes since the turn of the century.
Franko B' performance Work monograph with essays by Lois Keidan and Stuart Morgan, photos by Nicholas Sinclair. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
This CD-Rom is a virtual exhibition and teaching resource showcasing a citizenship project providing young people with a platform to express their views through the arts on issues of multiculturalism.
Selected works from 2003-2010,
a collection of Chakravarthi's early photographic self-portraits. Mostly unseen and made with low costs and in low conditions, he speaks about them for the first time and reveals how and why these early portraits were created and informed his current artistic practice. In conversation with Andrew Mitchelson, Chakravarthi talks about his early influences and experiences of being raised in India, childhood experiences in London and being an outsider in both cultures. An on-demand dvd, published by Live Art Development Agency, 2009, DVD-PAL, 65 minutes. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Catalogue of homonymous exhibition held at the Galleria Pack, Milan, 15 April – 15 June 2008. Curation and text by Francesca Alfano Miglietti (FAM). Italian and English language.