Documentation from the collaboration between LADA, Sibylle Peters of Theatre of Research and Tate Families & Early Years. 26 to 29 October 2017.
A young girl is abducted and smuggled aboard a boat bound upstream on an Indonesian river, through a landscape scarred by ecological destruction and historical greed. As her captors take her ever deeper into the jungle, her uncertain fate is compounded by the sense of her environment as a place of violence, destruction and jeopardy.
Part of the Library of Performing Rights (P3041)
From war and environmental pollution to racism and sexual assault, the publication analyzes the consequences of trauma as seen in the works of artists like Marina Abramović, Pope.L, and Chris Burden.
nitially galvanized by the sweeping obliteration of architecture and art under the Communist regimes of the Soviet Union and eastern bloc countries, Gamboni investigates other instances of destroyed art and architecture around the globe, uncovering a disquieting and surprisingly widespread phenomenon.
This article proposes an expanded understanding of Romeo Castellucci's radical performance work as a genuine theatre of ruins.
Exhibition catalogue; comprises essays and a section containing documents, hitherto unpublished interviews and a gallery discussion. Exhibition: 27 January – 1 May 2017, Museum Tinguely, Basel.
Published to mark the acquisition of UNWORD for Leeds Museums & Galleries Collection and its display in “Important Mischief: British Sculpture from the 1960s and ’70s” in Leeds City Art Gallery, March – November 2006. Found in miscellaneous article folder #5B
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)