Training Utopias
Performance Research Volume 25 Issue No. 8 December 2020
Pg42-50
25 intriguing ideas for different ways to walk in and beyond an art gallery – for gallery-goers, walkers, performance artists, students and academics.
Resisting the control of the image, transcending from the 2-dimensional, practicing being-a-body-in-the-world.
Divided into two parts, `In the World’ and `In the Room’, the book presents a rounded picture of the possibilities of a `disobedient’ culture and includes many games and exercises for creative practitioners.
Exhibition catalogue. 18 September – 12 October 2014. Curated by Clemens Poole.
In Ukranian and English.
A curated program of temporary public art installations throughout the city of Kyiv, challenging artists and viewers to creatively address the changing physical, emotional, and social concepts of occupation.
Documentation of the work shown within the framework of the workshops “Cleaning the House Project ” from Marina Abramović at the NMAC Foundation in summer 2004. All the performances took place on Saturday the 19th of June in the forest which plays host to the NMAC Foundation’s sculpture trail. Text in Spanish and English.
A collection of courses and syllabi for reference when teaching performance and live art practices.
In September 2012 the “Truth is concrete”, 24/7 marathon camp took place. With around 300 lectures, panels, tactic talks, performances, concerts, films, workshops and a parallel, self-curated, spontaneous Open marathon, “Truth is concrete” created a 170-hour performative space for thinking and networking in the city of Graz, Austria. Two newspaper style programmes (different cover) in foder.
A system for giving and receiving useful feedback on creative processes and artistic works-in-progress.