I am LGB Textbook

Video documentation of an online artist conversation with  Rosalind Fowler, Isik Sayarer and Eva Knutsdotter  in December 2021. This conversation followed an online screening of BREADROCK, I feel like doing this, a film by artist collective Fourthland (Isik Sayarer and Eva Knutsdotter) and artist and filmmaker Rosalind Fowler.

BREADROCK, I feel like doing this is a visceral homage to cultural history, memory and universal myth.  Melding experimental and ethnographic filmmaking, the work presents a series of staged vignettes drawing on the rituals and artefacts of the Estate’s Bangladeshi, European, Kurdish, Serbian, Turkish, Ugandan and West Indian communities, to create new kinships, myths and culture.

Video documentation of an artist conversation with Sahera Khan on 1st March 2024 at The Garrett Centre. This conversation followed screening of Sahera’s film My Glow as part of our LADA Screens programme on Voice, Care and Healing. Following the screening Sahera engaged in a Q&A with the audience and gave a short BSL lesson.

In My Glow (2023), Aa mature, Deaf, Muslim, British Sign Language (BSL) mother shares her pregnancy journey through the pandemic, and how she coped with limited communication with others such as the health service.

This is a video file. For a version with closed captions, visit our vimeo channel

Video documentation of an artist conversation with Lucy Sheen on 28th June 2024 at The Garrett Centre. This conversation followed screening of Lucy’s film Abandoned, Adopted Here as part of our LADA Screens programme on Voice, Care and Healing. Following the screening Lucy gave a performative reading of the poem I Know This Face, followed by a panel on the complexities of post-pandemic working in cultural and performative spaces for British East and Southeast Asians. With Jennifer Lim (Chair), Rosa Fong, Lucy Sheen, and Moi Tran.

Abandoned Adopted Here explores the nature of belonging in the British society and the unheard, silenced, and often erased voices of British East and Southeast Asians with mixed heritages and complex identities.

This is a video file. For a version with closed captions, visit our vimeo channel

Video documentation of  an online book launch and discussion marking the publication of the 6th issue of NS*, “Final Transmission: Performance Art and AIDS in Los Angeles” on 1st May, 2021.

Featuring editors Brian Getnick and Tanya Rubbak, and contributors Chris Freeman, Alexandra Juhasz, Sheree Rose, Marcus Kuiland-Nazario, Ruben Esparza and Philip Littell, for a wider discussion about AIDS, performance art and crisis.

NS, the performance art journal of Los Angeles, is a 6 volume archive of performance art production in LA from 2011 to 2016.

View the book Final Transmission: Performance Art and AIDS in Los Angeles in our catalogue here 

Audio documentation of an evening considering durational performance art with Marilyn Arsem on Friday 18th April, 2025 at The Garrett Centre.

For this special event, Marilyn presented an artist talk reflecting on her body of work and sharing her research on performance art and time. Following the talk, there was a Q&A chaired by curator Joseph Morgan Schofield.

This event was part of CEREMONY: A Festival of Performance, presented by Future Ritual, in April, 2025.

An essential introduction to the life and work of Sonia Boyce, a leading contemporary artist whose interdisciplinary practice explores artistic authorship and the creative potential in unexpected play.

This special issue of Burlington Contemporary Journal is dedicated to drawing and has been realised in collaboration with Drawing Room. Surveying work made over the last sixty years, this issue examines the radical potential of drawing and its varied role in artistic practice. The issue includes artist commissions by Jade Montserrat and Emma McNally, and a profile of Massinissa Selmani by Roger Malbert.

Afterall Journal

Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.

pg.49-57

Hyunjin Kim contextualises siren eun young jung’s audio-visual work at the 2019 Venice Biennale in relation to queer performance in South Korean history.

Afterall Journal

Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.

P.27-35
Nizan Shaked traces the interventions of Sonia Boyce’s work in received categories of artistic practice, considering how these interventions suggest means of classification beyond media, artistic intention and identity.

Art Review Issue 26  / October 2008

pg. 74-81

Feature on Elmgreen & Dragset : Inconvenient Truths

Contemporary Theatre Review, Volume 33, Issue 3 (2023)

Essential Work : Eastern European Immigrants and Models of Participation, Bojana Janković

This article investigates the relationship between a marginalised community of essential workers and dominant models of participation.

Performance Research Vol 6. No. 1. Spring 2001

Departures

The first of three related issues which engage with the migrations of people, performance and performance cultures, generating writing around differing geographies and histories of travel and travelling performance in a diversity of written and visual forms.

Between Journeys : an Interview with Lee Wen

Woon Tien Wei

pp. 3 – 7