Includes original footage of The American Moon (1960) and Flower (1963), a recent performance of Prune Flat (1965), and Ghost, Whitman’s recent theater work, as well as short documentaries about the works.
A collection of essays, documents, & bibiliography reagrding performance art edited by people associated with a Toronto-based arts organization.
This book examines the work of key contemporary choreographers who have transformed the dance scene since the early 1990s in Europe and the US.
A look at the radical, experimental dance presented during the early 1960s at Judson Memorial Church in downtown Manhattan.
Documents of Contemporary Art series.
Focuses on the historical, cultural and political contexts that inform choreographic and dance practices and critical readings of dance-in other words, how dance operates as critical discourse.
Exhausting Dance and the Politics of Performance
Examines the work of three leading individuals in the emerging arts scene in Manhattan during the 1970s.
This item is part of the Study Room Guide: On Falling by Amy Sharrocks (P2249)
Nearly thirty years after the first edition, this text–by now a classic–is republished with all the original photographic material.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Memoir by the avant-garde dancer, choreographer, and filmmaker recounting her childhood years, sexual misadventures, and artistic explorations.
Move. Choreographing You, Art and Dance Since the 1960s, explores cross-currents between contemporary art and dance over the past fifty years, with essays by Susan Leigh Foster, Andre Lepecki, Peggy Phelan.
Move. Choreographing You, Art and Dance Since the 1960s, explores cross-currents between contemporary art and dance over the past fifty years, with essays by Susan Leigh Foster, Andre Lepecki, Peggy Phelan.