On making a case for arts subsidy in the face of austerity.
Documentation of the thank you event for LADA donors. Part of LADA at 20.
Documentation from the evening in which the first recipient of the Arthole Artists’ Award, Marcia Farquhar, handed over the baton to the second recipient, Stacy Makishi.
Forty years since the publication of Naseem Khan’s seminal report The Arts Britain Ignores, how much has changed?
Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.
Publication about the project which brought questions of archiving performance art to a broader public. In German and English.
Brought together 75 UK based artists onto the Birmingham Hippodrome stage in a snapshot of the performing arts in 2016. Over the course of a single day they learnt and recreated the opening audition scene from the 1985 film 'A Chorus Line'.
Part of LADA Screens 12. The film was available online 9 - 22 June 2016 on the LADA Screens Channel. Includes two version of the video, in two different resolutions.
On the Future of Imagination (FOI) Festival 9, Singapore, September 4–7, 2014.
Report about the Arts and Humanities Resarch Council funded prject.
A publication exploring how the arts sector can better support artists at key stages in their practice.
A publication documenting the first 40 years of Artsadmin.
Captures the excitement of a key period in the emergence of postdramatic theatre in Australia in the 1980s and 1990s.
An extraordinary response to the artist's experiences within the mental health system. Published in an edition of 200, with each copy personalised by Lucy.
Anthology of interdisciplinary essays which critically examines the interlocking themes of artistic authorship, authenticity, and legacy from legal, art market, and art historical perspective.
A guide exploring how to embed democratic practice within arts and cultural organisations. In misc folder 7.
Celebrates the ten year anniversary of Shape Arts’ award, set up in memory of the sculptor.
Part of the Library of Performing Rights (P3041).
Reflects on CAPP (Collaborative Arts Partnership Programme), which took place 2015-2018.
Interview with Jeremy Newton, director of the Lottery.
Intended to help cultural organisations and their governing bodies meet ethical and reputational challenges with a greater sense of confidence, this report stems from a What Next? discussion about the difficult situations organisations can find themselves in when an action sparks controversy, for example, the presentation of a divisive piece of work, or a contentious sponsorship deal.
Unmaking American dance by tradition.
Argues for stronger lobbying fo dance in the UK.
On NDAs, established in early 90's.
Explores the development of South Asian dance and the changing priorities it has been given by funding agencies.
NODM Forum article – on New Year’s resolutions.
On shrinking contexts for dance in London.
Two articles discussing funding patterns in early 80’s
Explores the agency of the pseudonym over a sustained period of time through two case studies in particular: the Guerrilla Girls, an all-female collective working anonymously, and Marvin Gaye Chetwynd, the first British performance artist to be nominated for the Turner Prize.
Papers from the conference, held in Glasgow in December 1990. The conference addressed the implications for the arts of the political and economic changes in Eastern Europe.
Exploring the ritual / performance / intervention that marks the tattoo-receivers journey from birth in parallel with the rise in carbon emissions that cause climate change.
Part of the Library of Performing Rights (LPR) (P3041).
Bios and images from 50 artists, case studies, essays and complete list of Residency artists to date.
Publication documenting a project in which three artists took up paid, part-time employment.
Part of the Library of Performing Rights (LPR) (P3041).
Case studies, workshops and surveys analyse the barriers and opportunities arts organisations face in playing a civic role.
Publication of the third Strategic Meeting for Directors and Theatremakers, focusing on the work of professionals in Europe and the Arab world. Includes transcripts in English and Arabic.
Part of the Library of Performing Rights (LPR) (P3041).
Published at the same time as a video of the same name, this is a unique record of these theatre groups in action. Based on the author’s own travels and experiences working with community theatre groups in six very different countries, this is the first study of their work and the methodological traditions which have developed around the world.
Part of the Library of Performing Rights (LPR).
What is seriousness exactly, and where does it reside? Is it a desirable value in contemporary culture? Or is it bound up with elite class and institutional cultures?
Weaves together the various voices for the art collective to offer readers both an analysis and an experience of the group’s performance: the inner voice of the performance; the critical voice of the witness; and the frustrating redactions reflecting Tate and BP’s hidden contracts.
An article dissecting how arts interfere and engage with politics.
In misc folder 7.
The classic manifesto on popular theatre by the founder of the 7:84 Theatre Companies. Looking at the ways different classes take their entertainment, he puts the case for what theatre could be doing for the populace instead of walling itself up in subsidised fortresses for the well-to-do.
Part of the Study Room Guide on Live Art and class and cultural privilege. (P3152)
The report looks at the history of the movement and puts it in a policy context; 120 case studies of organisations were identified and numerous examples of all art forms; especially dance, drama, music, singing and the visual arts.
Part of the Know How: The Study Room Guide on Live Art Live Art and working with older individuals and communities. (P3140)
Does immersive theatre model a particular kind of politics, or a particular kind of audience? What’s involved in the production and consumption of immersive theatre aesthetics? Is a productive audience always an empowered audience? And do the terms of an audience’s empowerment stand up to political scrutiny?
A publication detailing the projects delivered through Unlimited; includes a collection of 16 postcards.
Through detailed case-studies on the work of key international theatre companies such as the Elevator Repair Service and The Mission Business, Blake explores how the digital is providing new scope for how we think about the theatre, as well as how the theatre in turn is challenging how we might relate to the digital.
On Thursday October 2, 2014, LADA presented ALAG, its first-ever fundraising event, which took place at the Royal Vauxhall Tavern in London.
1:41
This volume is inspired and informed by the square-squattings and neighborhood assemblies of the “real democracy” movements as well as by recent explorations of the assembly form in performance art and participatory theater.
The book examines the creative processes of eight theatre companies making devising-based performances: The People Show, Station House Opera, Shunt, The Red Room, Faulty Optic Theatre of Animation, theatre O, Gecko and Third Angel.
Found in miscellaneous article folder #5B
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)