Using interviews with friends and colleagues, and original and re-enacted footage of Sherman’s performances, this film explores the life, death, disappearance and rediscovery of this unique artist.
Part of LADA Screens 5.
A collection of essays, documents, & bibiliography reagrding performance art edited by people associated with a Toronto-based arts organization.
Gathers the voices of unique artists from the worlds of theatre, music and performance to discuss process and the making of interdisciplinary work. Contributors: Tim Etchells, Rinde Eckert, Richard Foreman, Peter Gabriel, David Greig, Guillermo Gomez-Pena, Phelim McDermott, Peter Sellars
Performances, Manhattan 1970-1980
Discussion of American avant-garde theatre.
How might performance engage us in thinking and feeling our relationship to money, magic, pretending, imagination: what is it we are looking for in the make-believe world we live in?
Value is an expression of belief: if we believe that such and such a company, or bank, possesses the assets it purports to possess, then, in effect, those assets exist. The moment we stop believing, the value of the company or bank collapses, and the assets in question cease to exist.A credit crunch is what happens when people suddenly stop believing in the financial system – or when we start to wonder why we believe what we are seeing on stage. Symposium Notes
A limited edition box containing artefacts, documents and critical theory from an international field of performance artists, theatre makers and writers. Shelved in Oversize publications section. This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)