On Christoph Schlingensief, solo exhibition at MoMA S1, March-August 2014.

Invited to exhibit at the 56th Venice Biennale, e-flux journal produced a single issue over a four-month span, publishing an article a day both online and on site from Venice.

An interview conducted at LADA’s new home in the Garrett Centre, Bethnal Green attempts to find out why the artist gave over his life to art.

Exhibition catalogue: Intensity of Affect: performances, actions, installations – retrospective of Zoran Todorovic. Accompanies the project, Warmth, at the the 53rd Biennale di Venezia, held in Venice, at the Serbian Pavilion, June 7-Nov. 22, 2009.

In Serbian and English.

Exhibition catalogue. Biennale Arte 2017, 57th International Art Exhibition – Viva Arte Viva. 13 May – 26 November 2017.

Illustrates the black political ideas that radicalized the artistic endeavors of musicians, playwrights, and actors beginning in the 1960s.

Covering 21 countries and more than 250 artists, this text demonstrates the manner in which performance art in the region developed concurrently with the genre in the West, highlighting the unique contributions of Eastern European artists.

Part of the Study Room Guide on Live Art and Displacement (P3107).

Book published alongside the eponymous exhibition (La BOX, Bourges); includes essays by the three authors, in English, Serbian and French.

Part of the Study Room Guide on Live Art and Displacement (P3107).

A collection of filmed work, celebrating the 30th anniversary of Troubleyn. Contains 17 DVDs and a 48 page booklet.

English and French subtitles.

Contains: Jan Fabre beyond the artist (documentary, 52′);  Le pouvoir des folies théatrales (257′), Drugs kept me alive (73′),  Preparatio mortis (51′), Les années de l’heure bleue (documentary, 32′), Prometheus Landscape II (94′), Pietas (documentary, 26′), Orgy of tolerance (103′), From the feet to the brain (documentary, 26′), Requiem for a metamorphosis (116′), Jan Fabre au Louvre (documentary, 47′), Another sleepy dusty delta day (56′), L’histoire des larmes (101′), Quando l’uomo principale è una donna (51′), Je suis sang (93′), My movements are alone like streetdogs (33′) + additional content

The publication accompanies the exhibition Tie A String Around the World, at The Philippine Pavilion of the Biennale Arte 2015.

Artist Sarah Baker talks to Marcia Farquhar about live performance, the visual, fiction and fantasy and meeting Peaches.

The exhibition presented in this catalogue was inspired by an unexpected incident. A tree fell on the Finnish Aalto Pavilion in 2011 and the exhibition had to be closed. What was originally an inconvenience became a source of inspiration for three curators from Finland. Falling Trees by Mika Elo, Marko Karo and Harri Laakso revisits this disruption of an art event and creates an opportunity to see art and nature differently.

Europe and the Middle East

uman rights and ethics

Catalogue published in conjunction with, Hong Kong’s exhibition at the 54th Venice Biennale, on view from 4 June to 27 November 2011. Includes artistic concept, curatorial statements, an essay by Ming Fay, and a dialogue between the artist and curators.

Accompanying the Japanese Pavilion’s contribution for the Venice Biennale, Ishiuchi’s personal and touching photographic essay ‘Mother’s’ explores the concepts of memory and loss through a series of close-up portraits of her mother immediately prior to her death interspersed with photographs of some of her mother’s personal possessions. In Japanese and English. The exhibition mother’s 2000-2005: traces of the future was presented at the 51st International Art Exhibition, the Venice Biennale, from June 12 through November 6, 2005.

As part of the 50th Venice Biennale