On Christoph Schlingensief, solo exhibition at MoMA S1, March-August 2014.
Invited to exhibit at the 56th Venice Biennale, e-flux journal produced a single issue over a four-month span, publishing an article a day both online and on site from Venice.
An interview conducted at LADA’s new home in the Garrett Centre, Bethnal Green attempts to find out why the artist gave over his life to art.
Exhibition catalogue: Intensity of Affect: performances, actions, installations – retrospective of Zoran Todorovic. Accompanies the project, Warmth, at the the 53rd Biennale di Venezia, held in Venice, at the Serbian Pavilion, June 7-Nov. 22, 2009.
In Serbian and English.
Exhibition catalogue. Biennale Arte 2017, 57th International Art Exhibition – Viva Arte Viva. 13 May – 26 November 2017.
Illustrates the black political ideas that radicalized the artistic endeavors of musicians, playwrights, and actors beginning in the 1960s.
Covering 21 countries and more than 250 artists, this text demonstrates the manner in which performance art in the region developed concurrently with the genre in the West, highlighting the unique contributions of Eastern European artists.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Book published alongside the eponymous exhibition (La BOX, Bourges); includes essays by the three authors, in English, Serbian and French.
Part of the Study Room Guide on Live Art and Displacement (P3107).
A collection of filmed work, celebrating the 30th anniversary of Troubleyn. Contains 17 DVDs and a 48 page booklet.
English and French subtitles.
Contains: Jan Fabre beyond the artist (documentary, 52′); Le pouvoir des folies théatrales (257′), Drugs kept me alive (73′), Preparatio mortis (51′), Les années de l’heure bleue (documentary, 32′), Prometheus Landscape II (94′), Pietas (documentary, 26′), Orgy of tolerance (103′), From the feet to the brain (documentary, 26′), Requiem for a metamorphosis (116′), Jan Fabre au Louvre (documentary, 47′), Another sleepy dusty delta day (56′), L’histoire des larmes (101′), Quando l’uomo principale è una donna (51′), Je suis sang (93′), My movements are alone like streetdogs (33′) + additional content
The publication accompanies the exhibition Tie A String Around the World, at The Philippine Pavilion of the Biennale Arte 2015.