Catalogue > By Keyword > audience
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Performing Endurance: Art and Politics since 1960
Examining a range of performances from the 1960s to the present, as well as protest actions from the lunch counter sit-ins of the US civil rights movement to protest camps in the twenty-first century, this book provides a formal account of endurance and illuminates its ethical and political significance.
Michael Mayhew collection
Includes documentation of:
– Someting Tender
– 3 : 3: 3
– For Always
A to B in MK
Publication on the participatory mapping project developed that took place on the Redways in Milton Keynes from 17th – 29th July, 2018.
This item can be found in the locked glass cabinet.
Doing Absolutely Nothing
A journey through the void, ephemeral and digital towards play and poetry.
WHITE DEATH: The Sky Burial Dream Scriptures of Kaddish
A collection of prophetic dream texts and images found in the ribcage of an ancient Priestess buried in a Sky Temple of former Tibet.
Essays on Physical Practice
Useful and entertaining advice for developing a holistic body-mind practice.
Dangerous Dances
This text finds the intimate affinity between dance and philosophy in the concept of problem and invites the reader to perceive dance and philosophy as a form of ballistics: the art of throwing.
Activating Cities
A practical handbook on the lost art of getting lost, reading the signs around you, following their lead, and creating your own.
Posthuman Spiritualities in Contemporary Performance: Politics, Ecologies and Perceptions
Examines five performance/artworks: The Artist is Present (2010) by Marina Abramović; The Deer Shelter Skyscape (2007) by James Turrell; CAT (1998) by Ansuman Biswas; Journey to the Lower World by Marcus Coates (2004); and the work with pollen by Wolfgang Laib.
The Aesthetics of Disengagement: Contemporary Art and Depression
Shows how contemporary art is a powerful yet largely unacknowledged player in the articulation of depression in Western culture, both adopting and challenging scientific definitions of the condition. Ross explores the ways in which contemporary art performs the detached aesthetics of depression, exposing the viewer's loss of connection and ultimately redefining the function of the image.
