A book about the music, the individual, and the creativity of a worldwide community rather than theoretical definitions of a subculture, Some Wear Leather, Some Wear Lace considers a subject not often covered by academic books.
Traces the many ways in which museums have approached performance works from the 1960s onwards, considering the unique challenges of documenting live events.
A new collection of images and texts depicting the artist's recent activities and project with Live Art Bistro, East Street Arts and Leeds Beckett University.
Performance at Studio 21, Kolkata. Part of Kolkata International Performance Arts Festival 2014
A comprehensive resource of key writings on early cinema, addressing filmmaking practice, film form, style and content, and the ways in which silent films were exhibited and understood by their audiences, from the beginnings of film in the late nineteenth century to the coming of sound in the late 1920s.
Short programme of the project which saw 2DL invite other artists into a conversation on identity.
Brings together artists, curators and producers, writers and critics to think through their relationship with criticism, revealing passionately held and often conflicting opinions on what criticism is and where it resides. Follows Steakhouse: Live Writing, a pilot project undertaken as part of the 2016 Steakhouse Live Festival of Live Art and Performance.
When the performer leaves the scene and makes room for the audience.
Compiles the correct answers of six UK naturalisation exams.
Part of the Library of Performing Rights (LPR) (P3041).
Interview with Meredith Monk.