Offers insight into the different kinds of processes that practitioners in the performing arts undertake in their creative work and considers the implications these processes have in the wider world.
|Editor||Christopher Bannerman, Joshua Sofaer and Jane Watt|
|Publisher||Middlesex University Press|
Documentation from the evening in which the first recipient of the Arthole Artists’ Award, Marcia Farquhar, handed over the baton to the second recipient, Stacy Makishi.
On Forced Entertainment, prediction, and the community of audience.
Reaffirms the central position of the body in various artistic practices through in-depth conversations with choreographers, composers, visual artists, hip hop artists, dramaturges, a light designer and a puppeteer.
Brought together 75 UK based artists onto the Birmingham Hippodrome stage in a snapshot of the performing arts in 2016. Over the course of a single day they learnt and recreated the opening audition scene from the 1985 film 'A Chorus Line'.
Part of LADA Screens 12. The film was available online 9 - 22 June 2016 on the LADA Screens Channel. Includes two version of the video, in two different resolutions.
Second edition of the artwork exploring the potential of Live Art to bridge generations.
Includes: Theatre / Archaeology, The script’s not the thing, Welsh Heterotopias, and an interview with Geraldine Cousin
Exhibition catalogue, 08 September – 03 November 2018, John Hansard Gallery.
A manifesto for the active and creative pedestrian – envisioning a walking that is neither a functional necessity (to shops, to work) nor a passive appreciation of (or complaint about) the urban environment.
A compilation of research, tracing the development of the artists' sculptural performance Gravitational Feel, which was yet to be realized at the time the book was due to print.
Created to accompany the Solitary Pleasures exhibition at the Freud Museum, London in Spring 2018, this publication is a secret museum, a treasure trove of insightful and delightful drawings, sculptures, photographs, video stills, artefacts, performative gestures, and ephemera – as well as specially commissioned texts – on a subject at the heart of Freudian and post-Freudian sexuality, eroticism, and desire: masturbation.
Combining philosophy and aesthetics, this is a unique exploration of creative practice as a form of thinking.