Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.
Videos by artists about the Live Art Development Agency. Including 10 commissioned films by artists marking LADA’s 10th anniversary in 2009.
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
Brought together 75 UK based artists onto the Birmingham Hippodrome stage in a snapshot of the performing arts in 2016. Over the course of a single day they learnt and recreated the opening audition scene from the 1985 film 'A Chorus Line'.
Part of LADA Screens 12. The film was available online 9 - 22 June 2016 on the LADA Screens Channel. Includes two version of the video, in two different resolutions.
Documentary bout queer live art on tour across the UK .
Collects some of the most exciting, provocative, and moving solo performances on animals, grounded by commentaries that help put these engaging works in a larger context.
A pop song designed to raise money for, and awareness of, Live Art in the UK.
On Thursday October 2, 2014, LADA presented ALAG, its first-ever fundraising event, which took place at the Royal Vauxhall Tavern in London.
Review of Vason's book, published by the Live Art Development Agency and Intellect Books.
A portfolio of Artsadmin projects and performances. Includes postcards with technical, touring and artistic deatils/
Double Exposures is a new collaborative venture between Manuel Vason and forty of the most visually arresting artists working with performance in the UK.
The Agency celebrated its tenth anniversary through a special series of projects including ten commissions of short films about and around Live Art that were posted online each month throughout 2009.
Themed collections of performance documentation and works for camera projects addressing issues of borders/border crossings
Shit, piss, blood, sweat and tears is a new Study Room Guide compiled by Lois Keidan on the theme of bodily functions in performance. The Guide consists of notes from Lois Keidan's presentation for Blackmarket No 11 2008, with added images and recommendations for further research and study
Festival programme of the 2011 edition of the festival in Turku, Finland.
Sacred at Chelsea Theatre: Bodily Functions – The Body in Performance, selected highlights of documentation of the body in performance from the Live Art Development Agency Study Room and Documentation Bank. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Portfolio 2011/2012, featuring all artists’ projects currently available and in development: performance spaces, film and installation, outdoor spaces, unusual spaces, artist and professional development, other projects and commissions.
Art Gwangju 2011 Live Art Development Agency screening programme – a small selection of artist’s films from LADA’s documentation bank
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Part of the 'Documentation Bank' Collection, an extensive range of artists' 'Talking Heads', documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
'Talking Heads' are short presentations by artists to camera about their practice and approaches to making. The 'Talking Heads' films are part of the Agency's 'Documentation Bank' Collection, which consists of an extensive range of artists' 'Talking Heads' films, documentation of artists' works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Programme notes:‘Let's get this straight folks, Bull: The True Story was a pack of lies, a cover up, it was a performance set up to upstage the truth.' The Making of Bull: The True Story unravels mysteries…including the mysteries of why we make art and how our art makes us. It questions what's real and what's fake. Inspired by the film Fargo, which proclaims in its prologue, ‘This is a true story', Hawaii-born Makishi finally comes out and tells the whole truth as she brings forth an elliptical tale trying hard not to tell itself. Just what is she hiding? You'll have to see it to believe it. Stacy Makishi is a Chelsea Theatre Associate Artist. Preceded by a short performance by an early career artist on the bar stage. Post show Q&A with the artist. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Curated by the Live Art Development Agency for Liveworks, at Performance Space Sydney 10 – 14 November 2010.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
Double DVD of highlights and edited highlights from the conference. This item is part of the Study Room Guide: The More You Ignore Me The Closer I Get by Robert Pacitti (P1100)
Historical review of Fluxee and the finish performance art scene.