Second edition of the artwork exploring the potential of Live Art to bridge generations.
Doon Mackichan wanders, falls, swims and loiters with a few of the women making walking art. 8 October 2018.
An exploration of walking and mapping as both form and content in art projects using old and new technologies, shoe leather and GPS.
Introduces urban hitchhiking, a reflective practice of sharing a walk with strangers, and considers its relevance for research and artistic practice.
In misc. folder 7.
Exploring the potential of Live Art to bridge generations andrawing on key Live Art themes and seminal works, PLAYING UP takes the form of a game played by adults and kids together. In German.
Exploring the potential of Live Art to bridge generations andrawing on key Live Art themes and seminal works, PLAYING UP takes the form of a game played by adults and kids together.
An email conversation between a noted poet.walker and a noted performance.walker about being temporarily prevented from walking ‘normally’ by illness/surgery. Their reflections cover cultural perceptions and personal values associated with walking, personal anecdotes, philosophical reflection, practices for daily-life and an alphabet of falling.
54 intriguing encounters produced by artists involved with the Walking Artists Network and beyond.
Publication accompanying the eponymous exhibition at the Transition Gallery, 16 June-15 July 2007; with texts by a number of writers including Iain Sinclair, Charlie Porter and Ruth Jarvis.
The publication explores art created in public spaces in Brazil, since 2000. In Portuguese and English. Published under the Creative Commons licence.
O’Rourke explores a series of walking/mapping projects by contemporary artists. This item is part of the Study Room Guide to Remoteness (P2600).
This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas. This item is referenced in the Making Routes Study Room Guide (P1964) and the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)