A manifesto for the active and creative pedestrian – envisioning a walking that is neither a functional necessity (to shops, to work) nor a passive appreciation of (or complaint about) the urban environment.
Explores the agency and materiality of the archival document through a collection of critical writings and original artworks,
Exhibition catalogue. Raven Row, 30 June – 6 August 2017
Performance text; performers have to learn all the parts while trying to be each other rather than presuming to enact characters.
Images related to the Study Room Guide on Performance in the UK in the 1970 (P2947).
Contains separate folders for each artist + a word document with image credits.
Feminist art, writing and performance articles, reviews and interviews on and by Claire MacDonald. In the oversized section. Contents in the attached document. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
A small selection of study room material on the subject of documention.
A collection of texts by several seminal women performance artists. Holly Hughes – 'World Without End'; Beatrice Roth – 'The Father'; Laurie Anderson – from 'United States'; Karen Finley – 'The Constant State of Desire'; Rachel Rosenthal – 'My Brazil'; Laurie Carlos, Jessica Hagedorn, Robbie McCauley – 'Teenytown'; Leeny Sack – 'The Survivor and the Translator'; Lenora Champagne – 'Getting Over Tom'; Fiona Templeton – 'Strange to Relate'.
Extracts from exhibition catalogue for “East Village USA” at the New Museum of Contemporary Art revisiting the sprawling, renegade art scene that flourished in the East Village during the 1980s. Text partially obscured.
Feminist Futures? sets out to ask if and in what way feminism remains relevant to theatre and performance practice of the twenty-first century. Responding to this question is an excellent, cross-generational mix of theatre scholars and practitioners whose essays engage in lively, cutting edge critical debates on issues such as citizenship, autobiography, cultural heritage, political agency, and body/technology, as circulating in contemporary feminism and performance today.
Fifteen installation and performance artists shared the gallery space throughout a six-week period. This publication documents the resulting exhibition through photographs and diagrams.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
A limited edition box containing artefacts, documents and critical theory from an international field of performance artists, theatre makers and writers. Shelved in Oversize publications section. This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
This DVD was produced by the Baltic Centre for Contemporary Art of Franklin Furnace’s Founding Director, Martha Wilson, on the occasion of the “History of Disappearance” exhibition drawn from Franklin Furnace’s archives.
This item is part of Brutal Silences: the Study Room Guide On Live Art In Ireland by Anna Maria Healy and Helena Walsh (P1661)
A guide to the groundbreaking yet frequently marginalised practices of artists working in performance art in the UK in the 1070s.