Draws on Wojnarowicz’s work to explore the role of abandoned landscape in this explosion of queer culture in NYC.
Part of the Library of Performing Rights (P3041).
Anti-manifesto for changing a world while exploring it: a tool for playful debate, collaboration, and intervention.
Taking place on 12 July 2007, SWIM was an open invitation, all access swim across London from Tooting Bec Lido to Hampstead Heath Ponds.
2014, 31’ 19”
This video was part of LADA Screens, and was available online between 17 August and 31 August 2015
Doctoral thesis printed in limited edition of 20 copies; focuses on performative practices and the performativity of artists and their activist counterparts in the Umbrella Movement (2014).
Part of the Library of Performing Rights (P3041)
A manifesto for the active and creative pedestrian – envisioning a walking that is neither a functional necessity (to shops, to work) nor a passive appreciation of (or complaint about) the urban environment.
Presents Woodman’s work from his entire career, including artists’ portraits, studios, exhibitions, installations and performances, collaborations with artists, social documentation and more recent and personal works.
Examines the significance of the transgender body and presents a series of case studies focused on the meanings of masculinity in its dominant and alternative forms – especially female and trans-masculinities as they exist within subcultures, and are appropriated within mainstream culture.
Part of the Library of Performing Rights (P3041)
Publication on the participatory mapping project developed that took place on the Redways in Milton Keynes from 17th – 29th July, 2018.
In glass cabinet.
Published on the occasion of the eponymous exhibition Ludwig Museum, Budapest, 30 January – 18 March. Presents the programmes implemented during the four-year CAPP project.
In Hungarian and English.
Takes the road less travelled to discover Britain's most astonishing and unexpected theatres.
Speculates on the possibility and implications of selling back the remains of the British Empire in London today. Based on a public installation in London in the fall of 2016, the book catalogues and develops the installation’s critical program of discussions, performances, dinners, installations, and screenings hosted at 91-93 Baker Street.
Part of the Library of Performing Rights (LPR) (P3041).
The first of its kind in English, this book is more than a city guide to Hong Kong through the medium of film; it is a unique exploration of the relationship between location and place and genre innovations in Hong Kong cinema.
Introduces urban hitchhiking, a reflective practice of sharing a walk with strangers, and considers its relevance for research and artistic practice.
In misc. folder 7.
Documentation (Power Point) from the DIY 13 project exploring notions of tripping and tipping points through the lens of the architect-walker.
Postcards with suggestions for public space performances. In English and French.
Part of the Library of Performing Rights (LPR) (P3041).
Publication on four walks commissioned by SPACE, which provided the chance to discuss the many and varied viewpoints related to the commons, including resource, community and the process of commoning. This edition includes an essay written by Maru Rojas in response to the project and the commons.
A spectacular live soundtrack to the route of the participatory live art event, curated by Tai Shani. The CD includes the songs from the walk, text by Tai Shani and walkwalkwalk and original artwork by Stephen Fowler.
What is the quality of participation in contemporary art and performance? Fair Play: Art, Performance and Neoliberalism explores this question through the work of important contemporary artists and organizations including Marcus Coates, Phil Collins, Jeremy Deller, Michael Landy, Grayson Perry, Rachel Whiteread, Lone Twin, Punchdrunk, Tate Modern and the National Theatre.
Documentation of projects investigating environments for societal production of civic understanding through a series of durational performances that encouraged discursive public encounters in civic squares and related urban environments.
This publication is an homage to “Paris Is Burning”, Jennie Livingston’s brilliant and award-winning 1991 documentary that captures the 1980s New York drag ball scene.
Documentation of European performance art collective C and H’s project ‘Postcard from the Future’
Documenting Alain Arias-Misson’s ‘public poem’ projects over the last 45 years. With an essay by Roger D’Hondt
This collection features all 51 images from performance artist Eleanor Antin's epic visual narrative. Introduction by Henry Sayre
A comprehensive selection of Vito Acconci's works, including a DVD of three 20 min videos in which he speaks about his realized and unrealized projects.
A comprehensive mid-career retrospective of Acconci's work
This monograph includes both extensive visual documentation from throughout Vito Acconci's career and a wide selection of his writings.
Diaries of the artist David Wojnarowicz, capturing the emotional, sexual and political chaos of modern urban life.
Vito Acconci in conversation at Acconci Studio, New York with the Halpern-Rogath Curatorial Seminar at the University of Pennsylvania
The work of Sonia Boyce encourages and challenges us to ask what it means to be a black woman artist in a hierarchical art world, and to confront questions surrounding inter-racial relations in a society where cultural identities condense around myths of nationhood.
Four evolving walking-video experiments.
Footage documenting Blast Theory's I'd Hide You.
How to make your own mis-guided tour or walk.
Documentary footage of Blast Theory's A Machine To See With.
Photo-essay on the life of a building.
An exploration of trees in Paris, including text and drawing.
The Polis Series was an inter-disciplinary collaboration which explored questions about the performativity of knowledge. It hoped to critique and enact some of the ways in which knowledge is generated in terms of a poetics of the body in performance.
Publication and 2 DVDs, one multimedia, one audio/video.
A collection of documents of works by Those Environmental Artists, including audience questionnaires, project descriptions and promotional material.
This booklet tells the story of just one building in the vast metropolis of London – 60 Farringdon Road. Neither particularly distinguished nor particularly old, the building’s past – and that of the immediate neighbourhood of Clerkenwell – illustrates the ebb and flow of city life and commerce, the arriving technologies, fortunes and fashions.
Catalogue of the work presented by the artists representing Ireland at the 26th biennial on “Free Territory” extraterritorial zone where artists erect their utopian settlements. Includes audio CD (see REF. D1968).
Squint/opera is a film production studio using multimedia to mix the disciplines of visual communication and architecture.
AUDIO CD accompanying the catalogue (see REF. P2018) of the work presented by the artists representing Ireland at the 26th biennial on “Free Territory” extraterritorial zone where artists erect their utopian settlements.
A study on the urban phenomenon of skateboarding as a resource to explore space together with issues of class, gender, race and sexuality.
Handbook of recollections and practical exercises exploring the art of walking and its modern uses. This item is referenced in the Making Routes Study Room Guide (P1964).
Documentation of the Opavivara collective performances: 2005 – 2011.
Presentation transcript. In Miscellaneous Articles 3.
From 31st March-28th April 2007 the top floor of Clarke Tower opened its doors to the public in the form of a unique short stay hotel.
Includes ‘A Conversation between trees’ by Silvia Leay, Active Ingredient.