Second edition of the artwork exploring the potential of Live Art to bridge generations.
WUK publication introducing programme shown between March and June 2019. In German and English.
Exploring the potential of Live Art to bridge generations andrawing on key Live Art themes and seminal works, PLAYING UP takes the form of a game played by adults and kids together. In German.
Exploring the potential of Live Art to bridge generations andrawing on key Live Art themes and seminal works, PLAYING UP takes the form of a game played by adults and kids together.
Investigates sound art and its various manifestations through historical, theoretical, polemical and critical analyses of artistic, musical and literary works
The Black Cone documents a 2012 performance by Spanish artist Santiago Sierra (born 1966), that resulted in a six-foot-high monolith in front of the Icelandic parliament, commemorating the third anniversary of the protests that followed the country’s economic crash.
Artists’ work and critical texts.
The 11 Rooms exhibition is part of the Manchester International Festival, 9-17 July 2011. See also, A0457 and P1613 – The Artist is Present
Out of Now critical account of Tehching Hsieh's complete body artworks from 1978-1999, conceived by the artist in collaboration with writer and curator Adrian Heathfield.Heathfield's meditation is complemented by an intensive exchange with the artist and a set of letters from leading art theorists Peggy Phelan and Carol Becker, and artists Marina Abramovic, Santiago Sierra, and Tim Etchells, 245 x 320 mm 384 pages 173 colour illustrations and 140 black and white illustrations. This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
Marking the Territory – A performance event curated by Marina Abramovic. This item is part of Brutal Silences: the Study Room Guide On Live Art In Ireland by Anna Maria Healy and Helena Walsh (P1661)