Manning extends her previous inquiries into the politics of movement to the concept of the minor gesture.
Considers the inter‐disciplinarity of ‘Live Art’ as a field of work and as a performance practice.
From the British Live Art: Essays and Documentation issue.
A compilation of research, tracing the development of the artists' sculptural performance Gravitational Feel, which was yet to be realized at the time the book was due to print.
Combining philosophy and aesthetics, this is a unique exploration of creative practice as a form of thinking.
The interview aruges for visibility of Reedy as a force of innovation where she is wrongly, and yet expectedly, absent from mainstram cultural institutions.
A a set of reflections and annotations on the eponomous performance and exhibition project by preeminent British sculptor, Bruce McLean.
An international survey that brings together 40 of the most influential approaches to art in public.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Documentation of a site-specific performance made for the disused Marshall Street Baths, Soho and Star Dust commissioned by Live Art Development Agency for a Variety Weekend at the newly refurbished De La Warr Pavilion, Bexhill on Sea.