An international collection offering glimpses into the intimate relations inherent in finding, remembering (or imagining), and creating an archive.
Video documentation of contributions to the Performing Idea Symposium, investigating the shifting relations between performance practice and discourse, event and writing; Toynbee Studios, 5-9/10/2010.
Includes nine files, containing videos of contributions on In Silence, Performative Writing, Reciprocal Aesthetics and Living Archives.
This provocative event slips between testimony and reflection, emotion and medicine, flesh and technology to contemplate our abiding fascination with what lies under our skin.
2007; 25:23
A portfolio of Artsadmin projects and performances. Includes postcards with technical, touring and artistic deatils/
Article written by Amy Sharrocks for the 'Performance Research on Falling' journal. Located in Miscellaneous Articles Folder 5A. This item is part of the Study Room Guide: On Falling by Amy Sharrocks (P2249)
Programme of the Fierce Festival 2012 in Birmingham.
Fifteen installation and performance artists shared the gallery space throughout a six-week period. This publication documents the resulting exhibition through photographs and diagrams.
Dance Theatre Journal article.
An innovative compilation of seven highly acclaimed productions by key practitioners of non-playwright-driven theatre
Audio CD of Symposium and performances for Performing Idea.Track List:
Performance Matters: Performing Idea Dialogue ProjectIn Silence – a conversation with Graeme MillerTim Etchells and Graeme MillerEtchells’ research project In Silence convenes a series of encounters with experts and professionals whose daily work and life practice leads them to an interest and investment in silence. Silence – death to the comedian, transcendence to the priest, a right in the eyes of the law – is after all not the negative space of speech but rather a complex piece of social communication, which functions in contexts as a statement, as transitional state (instrumental route to something) and indeed as a goal or objective all of its own. In a linked set of videotaped interviews Etchells will explore the diversity and complexity of silence as it is constructed and read, investigating both its utility and its blankness, as it is deployed and broken in different situations. Tim Etchells has begun his weblog for In Silence.
Essays and creative texts accompany the photographic and textual documentation.
This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433), the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529) and the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115)
A lively round-table discussion on the nature of participation in Live Art. Part of Sacred Season at the Chelsea Theatre, 28 April – 10 May 2008 (For full programme see REF. P1132).
Artsadmin documentation.
Offers insight into the different kinds of processes that practitioners in the performing arts undertake in their creative work and considers the implications these processes have in the wider world.
Artists imagine different ways of seeing the places and spaces around us.
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Part of the Library of Performing Rights (LPR) (P3041).
Artsadmin archives.
Artsadmin archives.
A British Council project.
Survey of projects commissioned by Artangel from 1985 to 2002. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of On Falling, a compilation of material from the Study Room Gathering Live Art and Falling hosted by Amy Sharrocks in November 2012. At the event Amy gave a presentation which was followed by an extensive group discussion. This Guide is in note form, for ease of reading, and in the hope that people can read between the lines, and see the rhythm and shape of the wide-ranging and non-stop discussion.
Part of On Falling, a compilation of material from the Study Room Gathering Live Art and Falling hosted by Amy Sharrocks in November 2012. At the event Amy gave a presentation which was followed by an extensive group discussion. This Guide is in note form, for ease of reading, and in the hope that people can read between the lines, and see the rhythm and shape of the wide-ranging and non-stop discussion.