Artholes: an evening with Stacy Makishi and Marcia Farquhar

Notes

Documentation from the evening in which the first recipient of the Arthole Artists’ Award, Marcia Farquhar, handed over the baton to the second recipient, Stacy Makishi.

Digital Ref EF5375
Date 2019
Type Digital File

Keywords

Similar items

Devising Theatre & Performance: Curious Methods

Artist/Author: Leslie Hill, Helen Paris | Reference: P4190 | ISBN: 978-1789384710 | Type: Publication

This book is packed with thoughtful exercises distilled from twenty-five years of interdisciplinary artist workshops and teaching devising and performance making at universities in the United States and the United Kingdom. Created and curated by Leslie Hill and Helen Paris, artists who work internationally at the interface of academia and professional practice, this collection provides exercises for devising, composing, and editing original works.

Arts Funding, Austerity and the Big Society: Remaking the case for the arts?

Artist/Author: John Knell and Matthew Taylor | Reference: P1610 | Type: Publication

On making a case for arts subsidy in the face of austerity.

Donor Thank you event

Digital Reference: EF5377 | Type: Digital File

Documentation of the thank you event for LADA donors. Part of LADA at 20.

The Arts Britain still Ignores?

Artist/Author: Jerri Daboo | Digital Reference: EF5370 | Type: Digital File

Forty years since the publication of Naseem Khan’s seminal report The Arts Britain Ignores, how much has changed?

Archives of the Ephemeral

Artist/Author: Pascale Grau, Margarit von Büren, Olivia Jaques, Tabea Lurk, Valerian Maly, Julia Wolf | Reference: P4121 | Type: Publication

Publication about the project which brought questions of archiving performance art to a broader public. In German and English.

Trap Door: Trans Cultural Production and the Politics of Visibility

Editor: Reina Gossett, Eric A. Stanley, Johanna Burton | Reference: P4076 | ISBN: 9-780262-036603 | Type: Publication

Delves into themes as wide-ranging yet interconnected as beauty, performativity, activism, and police brutality. Collectively, they attest to how trans people are frequently offered “doors”—entrances to visibility and recognition—that are actually “traps,” accommodating trans bodies and communities only insofar as they cooperate with dominant norms.

Part of the Library of Performing Rights (P3041).

The Star of the Show: Trademark, theatricality and ‘the grandmother of performance art’

Artist/Author: Bryony White | Reference: A0881 | Type: Article

Explores how Marina Abramović has subtly incorporated the law to her economic and professional advantage.