Captured during a weekend-long workshop held in Glasgow as part of DIY16.
Part of the Library of Performing Rights (P3041)
A collection of case studies from Live Art UK, the publication responds to the recent successes of Live Art and highlights those artists, projects and initiatives which are re-politicising and re-energising our arts spaces, sharing radical works and ideas with a public who are themselves being forced to do more with less.
Part of the Library of Performing Rights (P3041).
Five year strategy by Create, Ireland for 2020-2025
Interview with Mary Paterson and Deborah Pearson about their DIY project.
Books, catalogues, flyers and posters by PAErsche Action Lab (2010-)
In the oversize cabinet.
A publication documenting the first 40 years of Artsadmin.
Celebrates the ten year anniversary of Shape Arts' award, set up in memory of the sculptor.
Part of the Library of Performing Rights (P3041).
On NDAs, established in early 90's.
The third annual HIAP publication, which gives an overview of 46 residencies and a small sampling of events that took place in 2016.
A report from the StabilityMobility Sharing conference held in Rotterdam.
Found in miscellaneous article folder #5B
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
Nine videos from the Porthcawl Elvis Festival; documented during DIY 10 project led by Nigel Barrett and Louise Mari.
In which the group reconsider our own practice by exploring the working methods and practices of Tribute Artists.
Learn to think, see and live like an artist with this inspirational and practical guide on how to live a creative life written by the world’s most thought-provoking artists.
Documentation from a day long workshop led by Katherine Araniello – an opportunity for artists to explore and mine areas in which they have no abilities, experience or knowledge, to enhance and inspire their artistic practice. Part of LADA's DIY 12.
The workshop took place at the Colchester Arts Centre on 15 September 2015.
2:32
Exhibition and performances inspired by a series of daily three-hour workshops in grappling/Brazilian Jiu Jitsu (BJJ) with experienced mixed martial arts instructor James Duncalf.
Part of LADA's DIY 10; led by Kira O'Reilly. The workshops took place at Queen Mary University of London, 14-16 August 2013.
3:28
Documentation from GETINTHEBACKOFTHEVAN's DIY 10 project, which explored exertion, endurance, cliché and the epic using the musical Calamity Jane.
The project took place at Cambridge Junction. Part of LADA's DIY.
4:38.
Belgian festival director and curator Frie Leysen challenges Australian artists and arts organisations to be bold, and to challenge an increasingly ossified status quo in her closing keynote address at the 2015 Australian Theatre Forum (ATF). Miscellaneous folder #5A.
Leicester based company offers advice to individuals and groups working in the arts and voluntary sectors.
Informative DVD on the activities of the agency that provides network and business development support to performing arts practitioners in Greater Manchester and across the North West of England.
Part of Brighton and Hove Arts Commission’s Making a Difference Initiative. A series of seminars and workshops for professional artists and performers.
Questioning notions of success as an artist.
Overview of UK based Live Art platforms and supporting agencies including the Live Art Development Agency.
Professional Development by Artists and for Artists Summary Report.
A guide and presentation for emerging dance artists in Montreal. Unbound photocopies
Selections of performances and installations supported by the Brussels-based organisation.
Summary report of DIY 4 (2007). Professional development by artists for artists
A DIY project which involved the group surviving 6 days in the wilderness of London and the South Downs.
Summary of the LADA programme in which artists working in Live Art conceive and run professional development projects for other artists.
On the challenges facing policy and provision for Live Art in England.
Part of the The Displaced & Privilege: A Study Room Guide on Live Art in the age of hostility (P3107).
Introduces the reader to Bobby Baker's latest piece, which was commissioned by the London International Festival of Theatre in 1993.
From the British Live Art: Essays and Documentation issue.