Reports from a weekend of live art at the Bluecoat. 5-7 April 2008.
Vanishing Points is a new anthology of cultural criticism, focusing on the making, watching and conditions of Live Art and performance in the UK today. Vanishing Points is edited by Salome Wagaine, with deputy editors Ava Wong Davies and Ben Kulvichit, and designed by Chani Wisdom.
Art as We Don’t Know It showcases art and research that has grown and flourished within the wider network of both the Bioart Society and Biofilia during the previous decade. The book features a foreword by curator and art historian Mónica Bello, and a selection of peer-reviewed articles, personal accounts and interviews, artistic contributions and collaborative projects which illustrate the breadth and diversity of bioart.
An anthology of critical essays that draw on a decade of the authors thinking, writing about and working within contemporary performance as critics, producers, dramaturgs, makers, archivists and more.
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
The first major survey of the artist’s interdisciplinary practices. Bringing together newly commissioned and other writings by major thinkers in and beyond visual and performance studies, and extensive documentation of the artist’s work from two decades of practice, it navigates through and between performance, biotechnical practices, image-making, and writing.
Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
Second edition of the artwork exploring the potential of Live Art to bridge generations.
Exhibition catalogue. 12/11 – 4/12 1987. In German.
A zine drawing together reflection by artists participating in the Metal project on the themes of the ‘othered’ body and non-binary identities.
Part of Library of Performing Rights (P3041)
Brings together established and emerging practitioners who work with light, as material or subject.
In September 2018, during Labour Party conference in Liverpool, a group activists set sail for the Burbo Bank wind farm on board the good ship Discovery; this is the account of their adventures.
Examining a range of performances from the 1960s to the present, as well as protest actions from the lunch counter sit-ins of the US civil rights movement to protest camps in the twenty-first century, this book provides a formal account of endurance and illuminates its ethical and political significance.