Reports from a weekend of live art at the Bluecoat. 5-7 April 2008.
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
The first major survey of the artist’s interdisciplinary practices. Bringing together newly commissioned and other writings by major thinkers in and beyond visual and performance studies, and extensive documentation of the artist’s work from two decades of practice, it navigates through and between performance, biotechnical practices, image-making, and writing.
Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
Second edition of the artwork exploring the potential of Live Art to bridge generations.
Exhibition catalogue. 12/11 – 4/12 1987. In German.
A zine drawing together reflection by artists participating in the Metal project on the themes of the ‘othered’ body and non-binary identities.
Part of Library of Performing Rights (P3041)
Brings together established and emerging practitioners who work with light, as material or subject.
In September 2018, during Labour Party conference in Liverpool, a group activists set sail for the Burbo Bank wind farm on board the good ship Discovery; this is the account of their adventures.
Examining a range of performances from the 1960s to the present, as well as protest actions from the lunch counter sit-ins of the US civil rights movement to protest camps in the twenty-first century, this book provides a formal account of endurance and illuminates its ethical and political significance.
An intimate collection of letters, poetry and postscripts by artists and writers that seeks to connect, exchange and witness through the action, idea or form of a love letter. The book builds on a programme that took place at Bios, Athens (2015).
Proposes that performance is not a genre of art separate from object making but rather an attitude that has infiltrated the entire terrain of contemporary art.
From war and environmental pollution to racism and sexual assault, the publication analyzes the consequences of trauma as seen in the works of artists like Marina Abramović, Pope.L, and Chris Burden.