Through an exploration of both practice and theory, this book investigates the relationship between listening and the theatrical encounter in the context of Western theatre and performance. Rather than looking to the stage for a politics or ethics of performance, Rajni Shah asks what work needs to happen in order for the stage itself to appear, exploring some of the factors that might allow or prevent a group of individuals to gather together as an ‘audience’.
A document showing ways to prevent sexual violence and support survivors of sexual abuse.
Documents a series of site-specific performances by bonelli, which took place at fallen Sound Mirrors along the southeast coast of England in the summer of 2019.
Zine documenting the DIY 15 project; supported by Chapter Arts.
Explores how artists engaged with the sonic conditions of modernity through dramatic form, characterization, staging, technology, performance style, and other forms of interaction.
Investigates sound art and its various manifestations through historical, theoretical, polemical and critical analyses of artistic, musical and literary works
Accompanying CD for Performance Research: On Listening Vol. 15 No. 3.Linked articled A0336, A0335, A0334. Includes Listening-as-Touch: Paying attention to Rosemary Lee’s Common Dance, To See versus To Believe: A conversation on listening and The Horizon of Sound: Soliciting the Earwitness