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Leaving Berlin : On the Performance of Monumental Change

Artist/Author: Nicolas Whybrow | Editor: Claire MacDonald | Reference: A0929 | ISBN: 978-0-415-26311 | Type: Article

Performance Research Vol 6. No. 1. Spring 2001

Departures

The first of three related issues which engage with the migrations of people, performance and performance cultures, generating writing around differing geographies and histories of travel and travelling performance in a diversity of written and visual forms.

Leaving Berlin : On the Performance of Monumental Change

Nicolas Whybrow

pp. 37 – 45

Arts of the Working Class: the Americas Issue

Editor: Elizabeth Otto, The Winter Office | Reference: P4038 | Type: Publication

The 7th issue of the newspaper is the first one to focus on a region; it commits to reconsidering Americas colonial stories and their marks on its present global condition. In multiple languages.

Part of the Library of Performing Rights (P3041)

Rose Garrard: Redressing the balance

Editor: Beatrice Stammer, Frank Wagner | Reference: P3963 | Type: Publication

Exhibition catalogue. 12/11 – 4/12 1987.  In German.

Man Enough to be a Woman: The Autobiography of Jayne County

Artist/Author: Jayne County | Reference: P3666 | ISBN: 978-1852423384 | Type: Publication

Wild, hilarious and shameless account of Jayne’s life from her cissy-boy childhood in Georgia to her 90s renaissance, as a new wave of superstars claim her as their inspiration.

Part of the Library of Performing Rights (P3041)

Media Parasites in the Early Avant-Garde: On the Abuse of Technology and Communication

Artist/Author: Arndt Niebisch | Reference: P3103 | ISBN: 978-1137276858 | Type: Publication

Niebisch retraces how the early Avant-Garde movements started out as parasites inhabiting and irritating the emerging mass media circuits of the press, cinema, and wired and wireless communication.

The Edges of Society: The Plays of Dea Loher

Artist/Author: Daniel Brunet | Editor: Adele Edling Shank | Reference: A0698 | Type: Article

Introduction to Loher's play, with particular emphasis on Innocence – the play and Michael Thalheimer's 2012 production.