The first major survey of the artist’s interdisciplinary practices. Bringing together newly commissioned and other writings by major thinkers in and beyond visual and performance studies, and extensive documentation of the artist’s work from two decades of practice, it navigates through and between performance, biotechnical practices, image-making, and writing.
(States of Wake) was a live critical writing project that took the form of dedications as moments of critical attention, unfolding as part of WAKE Festival in Folkestone. This book is a document of that process and an exploration of the gesture of dedicating performance.
Explores the agency and materiality of the archival document through a collection of critical writings and original artworks,
Programme for home’s comissions, exploring the multicultural richness of cooking in the UK.
From publication ‘The National Review of Live Art 1979-2010 a Personal HIstory’ (essays, anecdotes, drawings, and images), edited by Dee Heddon and Jennie Klein, March 2010.
This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)