The first major survey of the artist’s interdisciplinary practices. Bringing together newly commissioned and other writings by major thinkers in and beyond visual and performance studies, and extensive documentation of the artist’s work from two decades of practice, it navigates through and between performance, biotechnical practices, image-making, and writing.
On Thursday October 2, 2014, LADA presented ALAG, its first-ever fundraising event, which took place at the Royal Vauxhall Tavern in London.
Review of Vason’s book, published by the Live Art Development Agency and Intellect Books.
Across a series of twelve in-depth interviews with a diverse range of major artists, Dominic Johnson presents a new oral history of performance art.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Video recordings of the performance presented as part an extensive programme curated by Lois Keidan and Aaron Wright (Live Art Development Agency) entitled “Just Like A Woman”, composed of lectures, performances, readings, installations, screenings, workshops and debates on performance of identity, is fully dedicated to the impact of performance on feminist histories and the contribution of artists to discourses around contemporary gender politics. From the 19th edition of the City of Women (Mesto žensk) festival – 2-13 October 2013, Ljubljana, Slovenia – entitled “Let's create a place for ourselves” on public space and politics.
This book of texts and creative exercises is for artists, students, researchers, archivists and policy makers.
Double Exposures is a new collaborative venture between Manuel Vason and forty of the most visually arresting artists working with performance in the UK.
Bilingual festival catalogue/pamphlet featuring performances, installations, films, workshops and discussions from the 18th International City of Women festival (on ageing), Slovenia.
An innovative compilation of seven highly acclaimed productions by key practitioners of non-playwright-driven theatre
Festival documentation. 2nd-21st March 2010
A series of solo pieces that forge an intimate dialogue between the audience and the performer, the artist and the creative process, live presence and the visual art object.
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects/
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
SPILL Festival of Performance: On Agency. Kira O’Reilly as festival thinker-in-residence.
Eve gives suicide a go; Her attempts are a foolish performance for the camera. This film is the full version that appears in Act One of Trans-Acts. Trans-Acts casts the Artist in the role of three necessary transgressors: the Dunce, the Devil & the Fool or seen another way as Sad Eve, Bad Eve & Mad Eve.
Sacred archive. Documentation on DVDs ref D1396-D1421.
Presented in a specially designed box and cellophane wrapped. Shelved in Oversize publications section.
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Programme of the Sacred Season at the Chelsea Theatre, 28 April – 10 May 2008, a platform of performance works exploring what theatre can inspire, interrogating the relationship between artists and spectators. Video documentation of the Sacred Season also available: REF. D1057- Includes performance spec and credits for the Book of Blood 4 by Leibniz. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)
Interviews and conversation on the National Review of Live Art. 6 -10 Feb 2008
Unbound pages. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)
Festival documentation. This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529)
This item is part of the Study Room Guide On Disability and New Artistic Models by Aaron Williamson (P1529), the Study Room Guide On Social Engagement and Participation by FrenchMottershead (P1290) and the Study Room Guide: The More You Ignore Me The Closer I Get by Robert Pacitti (P1100)
Texts/images by artists in receipt of an Artsadmin Bursary. This item is part of the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115)
Shelved in Miscellaneous Journals section.