The first major survey of the artist’s interdisciplinary practices. Bringing together newly commissioned and other writings by major thinkers in and beyond visual and performance studies, and extensive documentation of the artist’s work from two decades of practice, it navigates through and between performance, biotechnical practices, image-making, and writing.
Post-event hard cover catalogue documenting the exhibition and live performances presented at the III Venice International Performance Art Week. 10-17 December 2016.
Review of Vason's book, published by the Live Art Development Agency and Intellect Books.
Short review of exhibition. Text in Italian with images of works by the artists.
Study Boxes contain hand picked selections of DVDs, books and other materials from the LADA Study Room around specific themes. Installed in Festival hubs and other locations, and curated in dialogue with partners, each Study Box can hold between four to ten items and can be used by audiences for a quick browse or a day-long study. After the events the Boxes are returned to the Study Room and listed in this Guide so that users can explore these themes and materials during their visit to the LADA Study Room.
Double Exposures is a new collaborative venture between Manuel Vason and forty of the most visually arresting artists working with performance in the UK.
Investigates the extent to which performance can represent the 'unrepresentable' of trauma.
Created in collaboration with Pussy Riot, this book links together the events leading up to and after the group’s arrest and the themes they fight for – feminism, LGBTQ rights, freedom of speech and the environment. Contributors: Pussy Riot, Alice Bag, Anne Sherwood Pundyk, Antony Hegarty, Arvida Bystrom, Baby Dee, Battlekat, Bianca Casady, Billy Childish, Bo Ningen, Bobby Conn, Bruce LaBruce, Carolee Schneemann, Caroline Coon, Charlotte Andrews Richardson, Cornershop, CSS Elias Koskimies, Ellen Angus, Emil Schult, Fox, Franko B, Gaggle, Gera, H Plewis, Hannah Lew, Helen McCookery Book, Homoground, Inga Muscio, Jeffery Lewis, Jenny Holzer, Jon Gnarr, Judy Chicago, Kara Walker, Kembra Pfahler, Kerry McCarthy, Kids on TV, Kim Gordon, The Knife, Koivo, Laurie Penny, Lee Ranaldo, Lizzi Bougatsos, Lucky Dragon, Lucy O'Brien, Marissa Paternoster, Mary Beth Edelson, Meadham Kirchhoff, Molly Crabapple, Nastasia Alberti, No Bra, Nomi Ruiz, Olivier De Sagazan, Peaches, Peggy Seeger, Renee Lindel, Robyn, Roz Kaveney, Rozhgar Mahmood Mustafa, Sarah Lucas, Seth Bogart, Spartacus Chetwynd, Stephen Ira, Sunaura Taylor, Tamsyn Challenger, Tocotronic, Vaginal Davis, Victoria Lomasko, Vivian Goldman, Yoko Ono
Male Trouble explores how Wetern masculinity has increasingly appeared as a troubled gender category in recent times, using a variety of performative case studies. Includes a chapter on work by Ron Athey and Franko B.
Articles, documentation, blogs, and archive materials from the Pinto mi Raya Archivo Activo between 1991-2001.
Photographic documentation of performance and art-action by Antonio Juarez.
For BBC Radio 4, Bob Dickinson met some unusual performance artists. Audio.
Shit, piss, blood, sweat and tears is a new Study Room Guide compiled by Lois Keidan on the theme of bodily functions in performance. The Guide consists of notes from Lois Keidan's presentation for Blackmarket No 11 2008, with added images and recommendations for further research and study
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
First English language publication dedicated to Raimund Hoghe, operating as a collage,drawing together a variety of international voices to create a fragmented portrait of the artist
The first extensive survey of walking in contemporary art. This item is part of the Study Room Guide to Remoteness (P2600).
Series of photographs documenting some of the works of German-born, London-based performance artist Ernst Fischer: Brixton Heart Room (in collaboration with Franko B); The Book of Dust (in collaboration with Manuel Vason); The Art of (Self-)Service; Remains of the Day. Includes a list of images with titles.
Franko B' performance Work monograph with essays by Lois Keidan and Stuart Morgan, photos by Nicholas Sinclair. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Sacred at Chelsea Theatre: Bodily Functions – The Body in Performance, selected highlights of documentation of the body in performance from the Live Art Development Agency Study Room and Documentation Bank. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Held in Misc Article Folder 2
From the Collecting Live Art Symposium, Saturday 26 January 2008.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
A report on two new initiatives aimed at supporting Live Artists in the UK and raising the profile of their work.
Artists an practitioners are interviewed by Franko B: Small Acts at the Millennium. Italian arts magazine, this article is printed in English.
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
One thing that all Kontejner’s projects have in common, at least from an entirely subjective viewpoint, is precisely that very direct, unequivocal focus on that which is “human, all too human” or phenomena that coexist with the standards of humanity. In this sense, Kontejner’s work is a permanent cabaret with acts that deal with the transgression of social conventions, with passions and fears related to machines and cybernetic mechanisms, obsessions with sensual pleasures and obstacles that prevent us from indulging in them…- Maroje Mrduljas, architecture and design critic, Zagreb.
Article printed from online. In black folder in Misc. box.Described by Julie Tolentino:This is the one of a few different articles that contemplates my important lifetime performance work around archive and my reverence and research around the unrelenting impact and importance of the artist-to-artist relationship.IN THE WORKS:I am working to create opportunities for continued development, funding and presentation of THE SKY REMAINS THE SAME and other current touring projects.
three copies. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Documentation on DVDs ref D1396-D1421.
New Moves International, 2010, Black boxed set comprising: 1979-2010 a personal history, Archive 1979-2010, 40 pages and 3-disc DVD
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
Offers a series of reflections on a number of performances created by artists for an 'audience of one'.
Presented in a specially designed box and cellophane wrapped. Shelved in Oversize publications section.
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Guide to UK companies and artists creating work available for international touring.
See accompanying lecture notes (A0205)Compiled for the Long Table on Performance and Human Rights, April 2005 for PSi 12. Partnership between EEC, Queen Mary Univerity of London and the Live Art Development Agency