Reader for the lecture series from January to June 1996.
Edited by Sabine Breitwieser. Forward by Dietrich Karner. Introduction by Sabine Breitwieser. Texts by Steve Anker, Ute Meta Bauer, Benjamin H.D. Buchloh, Corinne Diserens, Xavier Douroux, Silvia Eiblmayr, VALIE EXPORT, Dan Graham, Malcolm Le Grice, Birgit Pelzer, Roland Schöny, V-Girls, Video and filmography VALIE EXPORT and Gordon Matta-Clark.
The first ever clear, extensive, concise and informative account of conceptual art.
Documents the crisis in American urban housing policies and portrays how artists have fought against government neglect, shortsighted housing policies and unfettered real estate speculation.
Part of the Library of Performing Rights (LPR) (P3041).
Throughout the 1980s and early 90s, Gordon produced a series of writings on art and music. Ranging from neo-Conceptual artworks to broader forms of cultural criticism, these rare texts place her writing within the context of the artist-critics of her generation.
Learn to think, see and live like an artist with this inspirational and practical guide on how to live a creative life written by the world’s most thought-provoking artists.
In this new English edition of the handbook over sixty curators, art historians, and artists take a critical look at the theme of the significance and potential of public art.
Perform a Lecture! is a project in six parts that seeks to explore the genre of ‘lecture performance’ both practically and discursively.
Articles, documentation, blogs, and archive materials from the Pinto mi Raya Archivo Activo between 1991-2001.
Move. Choreographing You, Art and Dance Since the 1960s, explores cross-currents between contemporary art and dance over the past fifty years, with essays by Susan Leigh Foster, Andre Lepecki, Peggy Phelan.
Move. Choreographing You, Art and Dance Since the 1960s, explores cross-currents between contemporary art and dance over the past fifty years, with essays by Susan Leigh Foster, Andre Lepecki, Peggy Phelan.