Discusses performativity of the name in the context of an artistic endeavour.
| Artist / Author | Janez Janša |
|---|---|
| Editor | Konstantina Georgelou & Janez Janša |
| Publisher | Routledge |
| Reference | A0773 |
| Date | 2017 |
| Journal | Performance Research |
| Journal date | July / August 2017 |
| Type | Article |
Book in English with translations to Serbian and French language
With essays by Dr Marina Grzinic, Dr Suzana Milevska and Tanja Ostojić
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2015 and December 2017. Selected through recommendations and an open call for submissions, Volume 5 reflects the dynamic, international contexts that Live Art and radical performance practices occupy.
Part of Library of Performing Rights (P3041).
Eight issues of the interview zine about performance.
Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
On Harbourfront Centre 2014 World Stage Festival, Toronto.
A study of post-millennial solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism.
Part of Library of Performing Rights (P3041).
Anthology of scores, scripts, instructions, diagrams and documentation of art works that are meant to be heard.
Catalogue of the Bath Festival Exhibition 1991, 24 May – 1 July 1991.
A provocative history of live art traces the precedents of contemporary multi-media events to Bauhaus experimentalism and surveys the Futurists’ manifesto-like events, the Dadaists’ cabarets, and later “happenings” and “spectacles.”
Brings together commissioned pieces by 50 artists and theorists whose works have shaped steirischer herbs over the past decade.
Illuminates the relationship between philosophy and experimental choreographic practice today in the works of leading European choreographers.
On development of Cunningham's practice.