A study of post-millennial solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism.
Part of Library of Performing Rights (P3041).
Explores Englishness, pseudo public space and what it is to be considered an unwelcome migratory visitor in contemporary Britain through the eyes of a particularly pesky Muscovy duck.
Part of the Library of Performing Rights (P3041).
Reflects on CAPP (Collaborative Arts Partnership Programme), which took place 2015-2018.
Twenty two 3 minute shorts directed by international filmmakers to mark the 60th Anniversary of the Universal Declaration of Human Rights.
Part of the Library of Performing Rights (LPR) (P3041).
A live documentary made in collaboration with a group of young people, set on the streets of Manchester. To take part you go online and choose from 3 people’s streams.
Sx essays, three interviews, and six case studies of performance makers, institution directors, and thinkers, proposing diverse strategies of implication and engagement, opening up possible futures and alternative exchanges between parties that are often too often still seen as adversaries.
Artist book published as a follow up to the eponymous exhibition; the book presents around 20 art projects realised between 2000 and 2008.
Kunstpavilion Innsbruck, 19 September – 8 November 2008.
Part of the Study Room Guide on Live Art and Displacement (P3107).
This engaging study examines the issue of crisis in European performance since the collapse of global financial markets in 2008. The book’s chapters examine diverse performances of crisis primarily in three cities with a loaded past and present for Europe, as idea and geopolitical reality: London, Athens and Berlin.
Publication documenting the first public meeting of the institutions that engendered the ENPARTS project (European Network of Performing Arts).