Festival book; unlike a programme, it sets out in search of a different kind of closeness – and finds it through contributions written by programmed artists, artist portraits, theoretical comments dealing with this year's leitmotif, “Wir schaffen das”, essays, reports or series of pictures.
Festival dates: 23 September – 16 October 2015.
In English and German.
The artist's account of being denied entry at the country of Bahrain's border. Miscellaneous folder #4.
Special issue on theatre and the public space. Bilingual edition in French and English.
Richard Ashrowan considers the geopoetics of the Anglo/Scots borderline, travelling to several points on the border and beginning a meditation into the meanings that might be revealed within its landscape
Themed collections of performance documentation and works for camera projects addressing issues of borders/border crossings
Online article on InSite, a network of contemporary art programs and commissioned projects mapping the dynamics of permeability and blockage that characterise the liminal border zone of San Diego-Tijuana. To be found in Miscellaneous Articles Folder 4.
Exploration of technology’s influence on artistic performance practices in the twentieth and twenty-first centuries.
A 5-part public engagement project inspired by the history of human migration and the mechanics of genetic inheritance.
Documentation of a speech given by Peter Hewitt. 18 March 2002.
Exhibition of film, video, installation, photography and visual art exploring ‘strangers: alien migrants, borders, travellers, people with different ethnic backgrounds, and the homeless. Identity, crossing borders, creating alternative narratives through art. 1 March-8 April 2006 Space, London. Akbank Sanat, Istanbul, 17 May-24 June 2006. Publication in Turkish and English.
A Study Room Guide featuring selected performances from eleven artists who interrogate and interrupt the silences that exist in Ireland.
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Collection of essays, performance texts, and poetry by Guillermo Gomez Pena. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
A year long collaboration between the artists supported by British Council’s Creative Collaboration programme and Arts Council England, March 09 – March 10.
In Misc folder 6.
Participants co-create a new passport. Video documentation of NRLA (National Review of Live Art) 2008; 10 Feb 2008
An encounter with Guillermo Gómez-Peña and Roberto Sifuentes of La Pocha Nostra.