A document showing ways to prevent sexual violence and support survivors of sexual abuse.
Reflections, stories, experiences, critiques, and ideas on community and collective response to sexual violence, abuse, and accountability.
Zine on rape culture in the anarchist milieu.
Through personal essays, interviews, and poetic verse, punk musician and cultural icon Lydia Lunch claws and rakes at the reader's conscience in this powerful, uninhibited feminist collection.
Witchy femmes, queer conjurers, and magical rebels on summoning the power to resist.
Explores the agency and materiality of the archival document through a collection of critical writings and original artworks,
11 battered women prisoners serving life for killing in self defense narrate a collective, painful story of injustice.
15 minutes.Part of the Library of Performing Rights (LPR) (P3041).
Links avant-garde performance practices with religious histories in the United States, setting contemporary performances of endurance art within a broader context of prophetic, religious discourse in the United States
Niebisch retraces how the early Avant-Garde movements started out as parasites inhabiting and irritating the emerging mass media circuits of the press, cinema, and wired and wireless communication.
Video installation, inspired by cases of institutional abuse in Ireland, especially the Magdalene Laundries.
Theoretical and creative interventions into the presence of the animal and ideas of animality in performance.
This essay extracted from Études Irlandaises (n° 39-1) examines “Redress” (2010-2012), a series of performances by artist Áine Phillips that interrogate the legacy of abuse perpetrated in Irish residential institutions in the 20th century.
Short video excerpt of “Redress 2010” a performance on the problematics of the Residential Institutions Redress Board, charged with compensating those who had suffered physical, sexual and emotional abuse in childcare institutions subject to State regulation in Ireland.