This monograph includes both extensive visual documentation from throughout Vito Acconci's career and a wide selection of his writings.
Vito Acconci began his career as a poet: this book showcases the artist's early experimental writing work, much of which remains unknown. Edited by Craig Dworkin.
A comprehensive bibliography of writings on 'Action Art' in the twentieth century.
Vito Acconci in conversation at Acconci Studio, New York with the Halpern-Rogath Curatorial Seminar at the University of Pennsylvania
Catalogue of the exhibition ‘Anti Academy’ at the John Hansard Gallery, which examines the activities of three experiments in art education in the 1960s in Tokyo, Copenhagen and Iowa City, USA
Performances, Manhattan 1970-1980
Martha Wilson Sourcebook is the first in a new publication series by ICI that offers a fresh perspective on social, political, and cultural issues impacting artists’ practices. Each compendium is comprised of articles, letters, newspaper cuttings, extracts from books, and images that an artist selects from their own archive and annotates with personal commentaries on the themes that arise. By using this subjective approach as a lens through which to rediscover pivotal debates in art and reconsider seminal texts, as well as to introduce little-known or out-of-print material, the Sourcebook series places emphasis on the histories and theories that have had a formative influence on an artist’s thought process.
Book examining the changing attitudes toward the city as the site for public art.
See also D0342 for still images, and P1002 essays and catalogue.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)