Exhibition catalogue. Ivan Dougherty Gallery, Sydney, June-July 1994; Institute of Modern Art, August 1994, Perth Institute of Contemporary Arts, November-December 1995, Experimental Art Foundation, Adelaide, February-March 1995, ACCA, April May 1995.
Charts the historical course of performance in Australia from the happenings of the 1960s, through body art in the 1970s, towards a more political body in the 1980s.
Part of Library of Performing Rights (P3041)
Explores performance art through live manifestations and reiterations in photographs, film and video.
Brings the fields of performance studies and trauma studies together in conversation where they inform crucial themes such as trauma, testimony, witness, and spectatorship.
Looks at the rich history of performance art in Australia through a multitude of perspectives. With this collection's thirty-nine contributions by scholars, curators, and artists covering more than three decades of practice, readers will enjoy both a comprehensive overview of the Australian performance art landscape and a rich trove of personal reflections from some of its pioneers and main proponents.
Post-event hard cover catalogue documenting the exhibition and live performances presented at the III Venice International Performance Art Week. 10-17 December 2016.
This collection of essays sheds new light on the political, ethical and aesthetic potential of participatory artworks and tests the very latest theoretical approaches to this subject.
Published to coincide with the 1997 showing at the Art Gallery of New South Wales in Sydney, Australia, of works featuring nudes by around 100 modern and contemporary artists. Includes essays, artists’ bios, bibliography.
Review of the exhibition Performance Now, Queensland University of Technology (QUT) Art Museum, 6 Dec 2014-1 March 2015, Brisbane.