This is a book of truth and action. It has facts to arm you, stories to empower you, pages to fill in and pages to rip out, alongside instructions on how to rebel – from organising a roadblock to facing arrest.

Publication accompanying a survey exhibition of image-making, community activism and public works produced by the seminal AIDS activist art collective Gran Fury between 1987 and 1995.

In misc. folder 7. 

Part of the Library of Performing Rights (P3041).

How-to guide for people looking to make a stand. Included are solid pieces of advice, practical tips and inspirational stories from those who have already successfully stood up and made a difference. 

Part of the Library of Performing Rights (P3041).

A book of stories, stories written by activists from the front lines of resistance against capitalism and economic globalization. In German; for the English version see P0424.

This item is part of the Study Room Guide: A Bi(bli)ography of Insurrectionary Imaginati by John Jordan (P0793) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)

Part of the Library of Performing Rights (LPR) (P3041).

Includes The Wollstonecraft Live Experience! programmes and materials, two programmes for the Stoke Newington Literary Festival, and a list of publications.

An account of an entire year spent living provocatively. From successful campaigns against Royal Parks and multinationals, to arts and crafts with porn mags, from annoying estate agents, to raising cinema workers' wages, comedian and campaigner Mark Thomas stopped at nothing.

Exploring performance and politics in the post-revolutionary state, Dangerous Moves presents a fascinating survey of contemporary life and culture in Cuba through some of its most daring and experimental artists. 

This publication charts very different tactics and strategies, written by practitioners from all over the world, mapping the broad field of engaged art and artistic activism in our times. Essays by Stephen Duncombe & Steve Lambert, Alanna Lockward, Florian Malzacher, Chantal Mouffe, Gerald Raunig and Jonas Staal.

A series of replies to Andy Kaufman’s challenge of any woman to a wrestling match

A new kind of advocacy for the arts

Information pack, press reviews, photographs and marketing material from Back to Back Theatre’s performance piece Small Metal Objects (2005)

Designed to be performed in a sheltered outdoor civic space, Small Metal Objects seeks to realise the inner realm and simultaneously re-interpret the exterior urban environment as a new performance landscape. Running time 45 minutes.

Almost 50 years since the publication of Ono’s conceptual instructions book, Grapefruit, Acorn is a collection of conceptual instructions and dot drawings, originally written for a website event and published here for the first time.

This collection of essays surveys the performance and promise of contemporary global artist-run centres and initiatives within the historical contexts that saw their emergence.

Slides and video documentation from the European Social Forum, London 2004

Part of the Anna Birch collection ‘Fragments to Monuments’, 1 x book, 3 x DVDs

herst. Theorie Zur Praxis follows the path of the festival (21 September – 14 October 2012) in Austria, by providing reflections, portraits and interviews by or on participants of the festival.

Part of the Anna Birch collection ‘Fragments to Monuments’, 1 x book, 3 x DVDs

Part of the Anna Birch collection ‘Fragments to Monuments’, 1 x book, 3 x DVDs. Includes DVD

In response to the torture inflicted by the Chicago Police from 1972 to 1992, and as part of The Chicago Torture Justice Memorial Project, Lucky Pierre is creating 1000 actions for Chicago torture justice. As of 5 October 2012, Lucky Pierre has generated 100 actions for Chicago torture justice documented in this booklet.

A retelling the history of art practice and exposing the ways in which neoliberal norms and values have seeped into every aspect of our lives.

A document of the Foundation degree and the various tactics that were dreamed up in order to make FUL work.

This publication is referenced in the Platform Study Room Guide (P1820)

Activists and journalists are using technology to get vital news out and bring about change – index looks at the key players in the fight for digital freedom.

Illuminates ways of devising more socially, economically, and ecologically just versions of now.

Channel 4 documentary; part of an event at the ICA in collaboration with the arts collective DHSS.

Can also be found in the Access all Areas : Live Art and Disability book and accompanying DVD: P1864

Short introduction to Matt Fraser’s work.

Living as Form grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a survey of more than 100 projects that use aesthetics to affect social dynamics. Invited artists, organisers, and groups include: Ai Weiwei; Ala Plástica; Jennifer Allora and Guillermo Calzadilla; Lara Almarcegui and Begoña Movellán; Alternate ROOTS; Francis Alÿs; Appalshop; Claire Barclay; Barefoot Artists; Basurama; Marilyn Douala Bell and Didier Schaub; BijaRi; Stephen Biko and partners; Bread and Puppet Theatre; CAMP; Cemeti Art House; Mel Chin; Chto delat? (What is to be done?); Colectivo Cambalache; Phil Collins; Complaints Choir; Céline Condorelli and Gavin Wade; Cornerstone Theater Company; Minerva Cuevas; Cybermohalla Ensemble; Decolonizing Architecture; Jeremy Deller; Mark Dion, J. Morgan Puett, and collaborators; Fallen Fruit; Finishing School; Free Class Frankfurt/M.; Frente 3 de Fevereiro; Theaster Gates; Paul Glover; Josh Greene; Federico Guzmán and Alonso Gil; Fritz Haeg; Haha; Harlem (Election Night 2008); Jeanne van Heeswijk; Helena Producciones; Stephen Hobbs and Marcus Neustetter; Fran Ilich; Farid Jahangir and Sassan Nassiri, Bita Fayyazi, Ata Hasheminejad, and Khosrow Hassanzedeh; Kein Mensch Ist Illegal (No One Is Illegal); Amal Kenawy; Suzanne Lacy; Steve Lambert, Andy Bichlbaum of The Yes Men, and collaborators; The Land Foundation; Long March Project; Los Angeles Poverty Department; Rick Lowe; Mammalian Diving; Reflex/Darren O’Donnell; Mardi Gras Indian Community; Eduardo Vázquez Martín; Angela Melitopoulos; Zayd Minty; The Mobile Academy; Mongrel; Anthea Moys and Bronwyn Lace; Mujeres Creando; Vik Muniz; NSK (Neue Slowenische Kunst); Nuts Society; John O’Neal; Oda Projesi; Wendelien van Oldenborgh; Marion von Osten and collaborators; Park Fiction, part of the Right to the City Network Hamburg; Pase Usted; Piratbyrån (The Bureau of Piracy); Platforma 9.81; Public Movement; Pulska Grupa; Navin Rawanchaikul; Pedro Reyes; Laurie Jo Reynolds; Athi-Patra Ruga; The San Francisco Cacophony Society; Katerina edá; Chemi Rosado Seijo; Michihiro Shimabuku; Andreas Siekmann and Alice Creischer; Buster Simpson; Slanguage; Apolonija Sustersic; Tahrir Square (2011); Taller Popular de Serigrafía (TPS); Mierle Laderman Ukeles; Ultra-red; United Indian Health Services; Urban Bush Women; The U.S. Social Forum; Voina; Peter Watkins; WikiLeaks; Elin Wikström; WochenKlausur; Women on Waves.

Investigation into collective and collaborative creative practice of marginalised artists of the art world. Reverend Billy Talent and the political economy of the art world. This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.

An anthology that explores the rise of activist public art that agitates for social change.

Brings together classic texts that help to define culture as a tool of resistance.

Part manifesto and part reference guide: brings together ten grassroots groups and dozens of artists and activists from around the world.

Audio recordings of Jeremy Deller discussing the following subjects: Our Hobby is Depeche Mode, Andy Warhol, The Battle of Orgreave, the Art World is a very Middle Class Place, Processions, Churches and Museums, Night at the Museum, Political Art, New Projects, Acid Brass, Glam Rock, Memory Bucket and Social Surrealism

Tactical Media employ the ‘tactics of the weak’ to operate on the terrain of strategic power by means of ‘any media necessary’, this notebook traces the legacies of tactical media to begin creating these hybrid cartographies

There are lots of guides for artists on how to earn a living from art or how to raise funds to support making it, but few which help us ask what the ethical implications are of the routes we choose. In this Study Room Guide, arts, social justice and environmental group Platform has selected some key texts that they think are useful in helping to position yourself ethically with regard to financing or supporting artistic practice through business or corporate sponsorship.

Part of the Trashing Performance programme – the second year of Performance Matters – 25-29th October 2011.

This publication was written amid the action by UK students against the government cuts, and was intended to reflect on the possibility of new creative forms of action in the current movements. UK, students, funding cuts, education, creative response, direct action, politics, protest. This item is referenced in the Dreams for an Institution Guide (P2313).

Published reports from the third meeting of the Cultural Analysis Summer Academy (CASA) – Amsterdam, June 2006.

John Jordan's Study Room Guide, in the form of an open letter, addresses performance and activism, and the strategies that artists have engaged with to address radical cultural, social and political agendas over the last 20 years.

The Art strike Papers collects accounts and papers relating to the Art Strike International action and propaganda during the period 1990-1993. The Neoist Manifesto is a series of texts on the Generation Positive, Karen Eliot, Cantsin, Neoist Network, as well as poems by S. Home

A book of stories, stories written by activists from the front lines of resistance against capitalism and economic globalization.

This item is part of the Study Room Guide: A Bi(bli)ography of Insurrectionary Imaginati by John Jordan (P0793) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)

Part of the Library of Performing Rights (LPR) (P3041).