Report about the Arts and Humanities Resarch Council funded prject.
A publication exploring how the arts sector can better support artists at key stages in their practice.
A guide exploring how to embed democratic practice within arts and cultural organisations. In misc folder 7.
NODM Forum article – on New Year's resolutions.
Khan describes her unusual mixed family background and the pioneering role she played from the sixties onwards in the recognition of ethnic and minority arts.
Provides a pedagogical framework that assists students and others in deconstructing dominant narratives around work, employability and careers, and explores alternative ways of engaging with work and the economy.
Provides a pedagogical framework that assists students and others in deconstructing dominant narratives around work, employability and careers, and explores alternative ways of engaging with work and the economy.
At the 2015 DASH symposium ‘Awkward Bastards’, artist and CEO of Shape Arts, Tony Heaton posed the question “Is the Disability Arts movement a forgotten movement? In response to this, DASH created a new book that aims to show that Disability arts is alive, well and demands recognition and a place within art history.
Now in paperback and with a new preface by Susan Bennett, the book explores an interdisciplinary range of topics, including: theatre and urban policy development; architecture, trauma, and memory; urban performance history; site-specific performance and urban politics; sexuality and nationality in urban performance; and environmental performance theory.
What is the quality of participation in contemporary art and performance? Fair Play: Art, Performance and Neoliberalism explores this question through the work of important contemporary artists and organizations including Marcus Coates, Phil Collins, Jeremy Deller, Michael Landy, Grayson Perry, Rachel Whiteread, Lone Twin, Punchdrunk, Tate Modern and the National Theatre.
The first major book on the more than 20-year history of Beaconsfield, an important artists association in London founded by two trained painters David Crawforth and Naomi Siderfin.
Brian Eno examines the ecology of culture and seeks to demonstrate how the whole complex of individuals and institutions engaged in culture – artists, broadcasters, gallerists, promoters, DJs, managers, lawyers, fans – are symbiotically connected parts of a single huge organism which we call Culture. Miscellaneous folder #5A.
Belgian festival director and curator Frie Leysen challenges Australian artists and arts organisations to be bold, and to challenge an increasingly ossified status quo in her closing keynote address at the 2015 Australian Theatre Forum (ATF). Miscellaneous folder #5A.
Institution for the Future is an archive of ideas bringing together reflections by artists, curators and other cultural workers on what an institution for the future should and needs to look like. With contributions from Ade Darmawan, Alexandra Hodby, Alistair Hudson, Dmitry Vilensky, Dorothea von Hantelmann, Elaine W. Ho, Gerald Raunig, Hans Ulrich Obrist, Hu Xiangqian, Ho Tzu Nyen, Jens Hoffmann, Joao Ribas, Jun Yang, Keren Cytter, Liu Ding, Marina Abramovic, Michael Lee, Monika Szewczyk, Nikita Yingqian Cai, Richard Streitmatter-Tran, Roslisham Ismail, Ise, Sam Bower, Seng Yujin, Third Belgrade, Tino Sehgal, Vandy Rattana and Yoko Ono.
Essays written 2010-2012 with an introduction by Stephen Squibb
Collection of essays in response to In Between Time festival, Bristol, 2013.
Collection of essays.
Artist-in-residence project on Cabot Circus building site, Bristol. Includes DVD.
Examining the interactions between museums, festivals, tourism, and historic preservation projects, and communities.
Documenting a research project which began in 1991.
A selection of the artist’s recent texts
A review of creative learning 2002-2004.
Slide presentation from LADA London, 10th June 2013. Located in Miscellaneous Articles folder 4.
herst. Theorie Zur Praxis follows the path of the festival (21 September – 14 October 2012) in Austria, by providing reflections, portraits and interviews by or on participants of the festival.
This publication is a contribution by the Cultural Learning Alliance to the current debate about the transformative role played by the arts and heritage in the lives of children and young people.
NXTSTP is a joint project by: Kunstenfestivaldesarts (Brussels), Alkantara Festival (Lisbon), Baltoscandal Festival (Rakvere), Goteborgs Dans & Teater Festival (Gothenburg), De Internationale Keuze van de Rotterdamse Schouwburg (Rotterdam), steirscher herbst (Graz), and Theatre national de Bordeaux en Aquitaine (Bordeaux).
A guide about the future of the small-scale visual arts sector, outlining economic and social understandings of value, measuring the value of arts organizations and sustainability.
This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.
This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.
Writings around the incorporation of pedagogy into art and curatorial practice. Text contributions by: 16 Beaver Group Peio Aguirre Dave Beech David Blamey & Alex Coles Daniel Buren & Wouter Davidts Cornford & Cross Charles Esche Annie Fletcher & Sarah Pierce Liam Gillick Janna Graham Tom Holert William Kaizen Hassan Khan Annette Krauss, Emily Pethick, & Marina Vishmidt Stewart Martin Ute Meta Bauer Marion von Osten & Eva Egermann Andrea Phillips Raqs Media Collective Irit Rogoff Edgar Schmitz Simon Sheikh Sally Tallant Jan Verwoert Anton Vidokle Tirdad Zolghadr
This article can be found in the Miscellaneous Articles 3 BinderTraining for exploitation? Towards an alternative curriculum is for use by students, teachers and cultural workers to address free and precarious labour in the arts,.
Final Report of the Panel on Fair Access to the Professions. This article can be found in the Miscellaneous Articles 3 Binder.
Presentation transcript. In Miscellaneous Articles 3.
There are lots of guides for artists on how to earn a living from art or how to raise funds to support making it, but few which help us ask what the ethical implications are of the routes we choose. In this Study Room Guide, arts, social justice and environmental group Platform has selected some key texts that they think are useful in helping to position yourself ethically with regard to financing or supporting artistic practice through business or corporate sponsorship.
Department for culture, media and sport, Tessa Jowell, 46 points/statements about culture in the UK, high culture, art, economic and social development.
The Arts Council of England, ‘The Landscape of Fact’, Towards a policy for Cultural Diversity for the English Funding System: African, Caribbean, Asian and Chinese Arts – Consultative Green Paper.
Arts Council England, Turning Point, this paper sets out the Arts Council strategy for the contemporary visual arts in England for the next 10 years
Short version London, Cultural Capital: Realising the potential of a world-class city
Cultural Metropolis: The Mayor’s Cultural Strategy – 2012 and Beyond, Mayor of London
This item is referenced in the Dreams for an Institution Guide (P2313).
chapter from ‘Who’s to pay for the arts?’ Ethics. Policy. Platform. Study Room Guide (P1820)
This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.