Catalogue > By Keyword > William Pope.L

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Exhausting Dance: Performance and the Politics of Movement

Artist/Author: André Lepecki | Reference: P2766 | ISBN: 978-0415362542 | Type: Publication

This book examines the work of key contemporary choreographers who have transformed the dance scene since the early 1990s in Europe and the US.

Clifford Owens: Anthology

Artist/Author: Clifford Owens | Reference: P2241 | ISBN: 9780984177660 | Type: Publication

Publication to coincide with exhibition, 2011, where Owens commissioned performance scores—written or graphical instructions for actions— from a multigenerational group of African-American artists.

How to See a Work of Art in Total Darkness

Artist/Author: Darby English | Reference: P1777 | ISBN: 9780262514934 | Type: Publication

Examines the integrative and interdisciplinary strategies of five contemporary artists stressing the ways in which their work at once reflects and alters our view of its informing context: the advent of postmodernity in late twentieth-century American art and culture.

Social Works: Performing Art, Supporting Publics

Artist/Author: Shannon Jackson | Reference: P1585 | Type: Publication

An interdisciplinary approach to the forms, goals and histories of innovative social practice in both contemporary performance and visual art.

This item is referenced in the Dreams for an Institution Guide (P2313).

Performance Lecture Archive: Klingon Talk

Artist/Author: William Pope.L | Reference: D1550 | Type: DVD

Part of Live Culture Lecture series.

Live Culture Symposium: Performance and the Contemporary

Artist/Author: William Pope.L | Reference: D1483 | Type: DVD

Lecture given by William Pope.L from Live Culture Symposium: Performance and the contemporary at TATE Modern, 29-30 March 2003.This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.