Catalogue > By Keyword > William Pope.L

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Exhausting Dance: Performance and the Politics of Movement

Artist/Author: André Lepecki | Reference: P2766 | ISBN: 978-0415362542 | Type: Publication

This book examines the work of key contemporary choreographers who have transformed the dance scene since the early 1990s in Europe and the US.

Clifford Owens: Anthology

Artist/Author: Clifford Owens | Reference: P2241 | ISBN: 9780984177660 | Type: Publication

Publication to coincide with exhibition, 2011, where Owens commissioned performance scores—written or graphical instructions for actions— from a multigenerational group of African-American artists.

Social Works: Performing Art, Supporting Publics

Artist/Author: Shannon Jackson | Reference: P1585 | Type: Publication

This item is referenced in the Dreams for an Institution Guide (P2313).

Live Culture Symposium: Performance and the Contemporary

Artist/Author: William Pope.L | Reference: D1483 | Type: DVD

Lecture given by William Pope.L from Live Culture Symposium: Performance and the contemporary at TATE Modern, 29-30 March 2003.This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.

Performing Idea: Reciprocal Aesthetics

Artist/Author: Shannon Jackson, Adrian Heathfield | Reference: D2104 | Type: DVD

Performance Matters, Performing Idea – Reciprocal Aesthetics7th October3:00-7:30pmToynbee StudiosWith: Ron Athey, Wafaa Bilal, Maaike Bleeker, Shannon Jackson and Julie Tolentino The participation of the spectator in making the meaning of the work of art has been a staple of art and performance practices long before the recent charged debates on ‘relational aesthetics.’ Yet art, however solitary, is arguably always a kind of collaboration and involves itself in some form of exchange. What can be at stake in this exchange? Speakers will examine the notion and limits of the idea that contemporary art and performance is a reciprocal affair. They will ask what gets transacted in contemporary art? What is given and what is taken, what is shared and what cannot be shared?

Interviews

Editor: Gerald Matt | Reference: P0903 | ISBN: 978-3-86560-188-9 | Type: Publication

The Fiery Furnace

Artist/Author: C. Carr | Reference: A0098 | Type: Article

The Interventionists

Artist/Author: Various | Editor: Nato Thompson / Gregory Sholette | Reference: P0639 | ISBN: 0-262-20150-x | Type: Publication

This item is part of the Study Room Guide: A Bi(bli)ography of Insurrectionary Imaginati by John Jordan (P0793)

Ain’t no such thing as Superman - William Pope.L

Artist/Author: James Trainor | Reference: A0069 | Type: Article

Live: Art and Performance

Editor: Adrian Heathfield | Reference: P0553 | ISBN: 1-85437-501-6 | Type: Publication

This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)

This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)