Starting from the premise that live performance is experienced in a material, local context, the chapters analyse the intricate and complex workings of queer dramaturgy within specific venues, cities, nations or transnationally.
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
This item is referenced in the Making Routes Study Room Guide (P1964).
Accompanying CD for Performance Research: On Listening Vol. 15 No. 3.Linked articled A0336, A0335, A0334. Includes Listening-as-Touch: Paying attention to Rosemary Lee’s Common Dance, To See versus To Believe: A conversation on listening and The Horizon of Sound: Soliciting the Earwitness
National Review of Live Art: The 30th Edition,