A collection of Wodiczko's writings on his projects.
Part of the Library of Performing Rights (LPR) (P3041).
Surveys the changes in acting and performance during the crucial transition from the ecstatic theatre of the 1960s to the ironic postmodernism of the 1980s.
The contributors to this book, writing from a variety of subject disciplines and interests, explore a range of the uses of autobiography from the nineteenth-century to the present day, and from Africa, USA, the Middle East, France, New Zealand, as well as Britain.
The first book-length introduction to and critical analysis of contemporary feminist performance, from Madonna to Karen Finley to Cherrie Moraga.
Part of the Library of Performing Rights (LPR) (P3041).
In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.
Reflections on how institutions inform art, curatorial, educational, and research practices while they shape the world around us.
Documentation from the DIY 13 project: a performance artist and novice sexual deviant attempts to liberate your orgasm via a journey through Leeds’ sex scene.
A provocationinterested in exploring the meeting points between the obliteration of the possibility of physical motherhood (rupture of the body), a country disappearing in war (rupture of the land) and the reconstruction of the bio-political-history. Together these assert a new no-motherhood and post-motherland identity away from the exilic ruptures that define the end of the 20th and beginning of the 21st centuries in Europe.
Textbook from the performance / social experiment. The audience (a.k.a participants) underwent several stages of assessments to decide who remained in the experiment, and who was liberated from it. By the end, only one participant was crowned “LGB”. Presented during the Singapore International Festival of Arts 2016.
Illustrates the black political ideas that radicalized the artistic endeavors of musicians, playwrights, and actors beginning in the 1960s.