An edited volume that explores the work of the innovative, experimental and internationally acclaimed performance artist Marilyn Arsem, with 200 images.
Documentation from the exhibition at the Cambridge Darkroom, 1990.
Traces the many ways in which museums have approached performance works from the 1960s onwards, considering the unique challenges of documenting live events.
Documentation from the DIY 13 project, setting and testing ways of getting together to show unfinished work.
Unique documentation of a year long performance project by one of America's most interesting performance artists; McMurry set out to do a performance action every day for a year, attempting to confuse art and life.
41 minutes.
The monograph follows the studio practice, public performance works, and gallery and museum shows that took place between 1969–1973 in which documentation of conceptual performance works in slide, film, video, and photographic form exhibited alone or as a component of installation.
Includes The Wollstonecraft Live Experience! programmes and materials, two programmes for the Stoke Newington Literary Festival, and a list of publications.
Found in miscellaneous article folder #5B
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
For 12 days in November 2002, Marina Abramovic lived on three open platforms in the Sean Kelly Gallery in New York. She did not eat or speak, nor did have any privacy: the rooms were open and spectators were even invited to observe the artist through a high-powered telescope. This volume presents documentation of The House With the Ocean View alongside essays by the artist, her gallerist Sean Kelly, art historian Thomas McEvilley, curator Chrissie Iles, Cindy Carr, RoseLee Goldberg and Peggy Phelan.
This article considers a constellation of works the artist Kira O’Reilly has created in residencies in biology laboratories over the past several years.
In his third one-year performance piece, from 26 September 1981 through 26 September 1982, Hsieh spent one year outside, not entering buildings or shelter of any sort, including cars, trains, airplanes, boats, or tents.
SD Video 31’ 15 video, colour, sound
The author reflects on the “Monica Ross: A Symposium” that took place at the British Library, London, on Friday 28 November 2014, in celebration of the institution’s acquisition of Ross’s digital archive.
The artist shares insights of her performance-making.
This volume, published in conjunction with the opening of the MAI – Marina Abramović Institute for the Preservation of Performance Art – the only venue of its kind for the conservation, production and enjoyment of long-duration performances – is not only a celebration of the project, but also a summary of Abramović career
Documentary footage of Blast Theory's A Machine To See With.
Footage documenting Blast Theory's I'd Hide You.
Part of the Anna Birch collection ‘Fragments to Monuments’, 1 x book, 3 x DVDs
Part of the Anna Birch collection ‘Fragments to Monuments’, 1 x book, 3 x DVDs
Part of the Anna Birch collection ‘Fragments to Monuments’, 1 x book, 3 x DVDs. Includes DVD
Collection/selection of past works since 2000. Images, power point presentation, CV, biographic statement, review of market stall performance in Toronto by Natalie Loveless as part of International Festival of Performance. Power point presentation of images from ‘In Place of Passing’ project initiated by Conolly and facilitated by Beyond Etc.
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
The catalogue ifrom The Abramović Method exhibition in Milan 2012
The catalogue ifrom The Abramovic Method exhibition in Milan 2012
Feature-length documentary film following Marina Abramovic as she prepares for a major retrospective of her work, taking place at the Museum of Modern Art in New York.
This is a ‘double DVD’ contains documentation of 9 performances plus a PDF document containing 7 essays including interviews with the artists and texts about the development of experimental performance in Spain. ¡POESÍACCIÓN! was an event at the Institute Cervantes in Berlin 2011. The artists featured on the DVD are: Esther Ferrer, J. M. Calleja, Bartolomé Ferrando, Lucía Peiró, Nieves Correa, Joan Casellas, Isabel León, Edu Hurtado and Andrés Galeano. Titles in English and Spanish
Documents and critically examines one of the most fecund periods in the history of live art.
CIRCA (Contemporary Visual Culture in Ireland); this article offers some thoughts on a history of time-based art in Irish contexts. See also, Brutal Silences Study Room Guide, catalogue ref. no. P1661.
ANTI Festival presents time and site specific art outside of traditional art spaces
This DVD was produced by the Baltic Centre for Contemporary Art of Franklin Furnace’s Founding Director, Martha Wilson, on the occasion of the “History of Disappearance” exhibition drawn from Franklin Furnace’s archives.
Documents the unique & exhilarating performance art project Cardiff Art In Time, affectionately known as the CAT show.
book of instruction-based performances