“(…) What could be good practice, in a moment like this? What is the art organisation needed for a no-future public? and what would a sustainable, feminist organisation look like?…”
The text was previously published in Who’s Art For? Art Workers Against Exploitation, edited by R-set/tools for cultural workers (Impasse) in collaboration with Rete al Femminile, postmedia books, 2019.
A selection of poems and illustrations.
Kindly donated as part of the Swiss Live Art Study Room Guide.
Text in German.
Captured during a weekend-long workshop held in Glasgow as part of DIY16.
Part of the Library of Performing Rights (P3041)
Documentation from the 672 Hour Live Process Performance in Istanbul, 2018. Includes the poster, individual videos of performances, and a document with details on all performances.
A recipe book produced following a series of public events involving local South Essex foods, their source, preparation and consumption.
Follows one of the strangest commodity chains of our times to explore the unexpected corners of capitalism.
A broad-ranging survey that explores and celebrates humankind’s ongoing fascination with animals. This carefully curated selection of images, chosen by an international panel of experts, delves into our shared past to tell the story of animal life.
Third issue of the online and printed zine about relationships and configurations in which one person is still while others are not.
Publication on the annual conference about socially engaged art organised by Heart of Glass in St Helens. Participants were invited to collectively source local ingredients and create, serve and eat a meal.